Chang’ an automobile Oula haomao

Changan Automobile Euler Good Cat is a brand owned by Great Wall Motor Group. The brand OLA was launched in 2018, focusing on new energy vehicles.

"Good Cat" is one of the models of the brand, which is positioned in the small pure electric vehicle market, mainly for urban commuting and daily use. Its exterior design is fashionable and simple, while the interior pays attention to comfort and sense of technology. In terms of power, the good cat is equipped with a motor with a maximum power of 105 HP and a cruising range of more than 400 kilometers.

Generally speaking, Euler Good Cat is an environmentally friendly and energy-saving pure electric vehicle suitable for urban use.

Jinhua Hongqi EH7 price reduction news, the highest profit 50,000! If you miss it, there is no

On the [Autohome Jinhua Promotion Channel], a high-profile luxury sedan – is going on a grand promotion. It is understood that this model that combines technology and luxury is offering amazing discounts of up to 50,000 yuan in Jinhua area. The minimum selling price has been adjusted to 179,800 yuan, which undoubtedly brings consumers a very attractive car purchase option. If you are interested in the Hongqi EH7, remember to click "Check Car Price" in the quotation form immediately to seize this rare car purchase opportunity and strive for higher preferential treatment.

金华红旗EH7降价消息,最高让利5万!错过就没有

金华红旗EH7降价消息,最高让利5万!错过就没有

As a luxury business car, the Hongqi EH7 attracts attention with its exquisite side design. The body size reaches 4980mm*1915mm*1490mm, and the wheelbase reaches 3000mm, showing a spacious and comfortable space layout. The balanced design of the front wheelbase of 1645mm and the rear wheelbase of 1655mm ensures the stability and handling performance of the vehicle. The tire specification is 245/50 R18, which is matched with the classic wheel design, not only enhances the visual effect when driving, but also provides excellent grip and ride smoothness. Overall, the side lines of the Hongqi EH7 are smooth and atmospheric, showing the style of its high-end business vehicle.

金华红旗EH7降价消息,最高让利5万!错过就没有

In terms of interior, Hongqi EH7 shows the perfect fusion of luxury and technology. Its spacious interior space is made of exquisite leather materials, and the steering wheel is ergonomically designed, which not only feels delicate to the touch, but also supports manual up and down + front and rear adjustment to ensure driver comfort and convenience. The 15.5-inch central control screen stands in front, which is not only considerable in size, but also equipped with an advanced automatic speech recognition control system, which supports functions such as multimedia, navigation, telephone and air conditioning, greatly enhancing the interactive experience between the driver and the vehicle. In terms of seats, imitation leather is used, and the main and passenger seats are equipped with four-way adjustment, including front and rear, backrest, high and low and waist support, providing passengers with excellent ride comfort. The front seats are additionally equipped with heating and ventilation functions, while the driver’s seat also has a power seat memory function to customize the driver’s exclusive seating posture. At the same time, the rear seats support proportional reclining, increasing space flexibility to meet diverse use needs.

金华红旗EH7降价消息,最高让利5万!错过就没有

Summarizing the experience of the Autohome owner, his praise for the Hongqi EH7 is beyond words. From the stunning first glance to the praise of the details, such as its smiling front face and exquisite headlight design, it all reflects the deep integration of aesthetics and technology of Hongqi cars. The owner’s description of the body lines is even more vivid. The smooth lines not only show the dynamic of the EH7, but also reflect the pursuit of fashion and quality by Hongqi. It can be said that the Hongqi EH7 is not only a driving tool, but also an extension of the owner’s taste and personality. Its charm is irresistible.

Huizhou Audi Q5L price reduction news! The reserve price 259,000, act quickly

Welcome to [Autohome Huizhou Promotion Channel] to bring you the latest car market trends. Now, this luxury SUV is in full swing in Huizhou with attractive promotions. Buyers can enjoy high discounts of up to 161,300, giving the Audi Q5L from the original price of 259,000 a new price charm. This is a rare opportunity, if you want to seize the discount, act quickly! Please click "Check the car price" in the quotation form to get more specific information on car purchase discounts and strive to achieve higher savings in the car purchase process.

惠州奥迪Q5L降价消息!底价25.9万,赶快行动

The Audi Q5L attracts the eye with its exquisite exterior design and elegant temperament. The front face part adopts the hexagonal air intake grille that is the hallmark of the Audi family. The smooth lines of the grille echo each other with the LED headlight group, showing the perfect fusion of power and technology. The body lines are smooth, the overall style is both sporty and luxurious, and the body proportions are coordinated to outline a strong sense of movement. The lines of the side skirt and the rear part are handled just right, further highlighting the luxurious atmosphere of the Q5L. The overall exterior design not only reflects Audi’s pursuit of detail, but also fully demonstrates its unique charm in the medium-sized luxury SUV market.

惠州奥迪Q5L降价消息!底价25.9万,赶快行动

The Audi Q5L has a unique body profile with its elegant and smooth side lines. The body measures 4770mm long, 1893mm wide and 1667mm high, and the wheelbase reaches 2907mm, giving a sense of spaciousness. The front track is 1616mm and the rear track is 1610mm, which guarantees good driving stability. The tire specification is 235/55 R19, which is paired with a delicate rim design, which not only provides good grip, but also adds a sporty and luxurious atmosphere. Overall, the side design of the Audi Q5L balances power and elegance, showing the consistent high quality and design sense of Audi.

惠州奥迪Q5L降价消息!底价25.9万,赶快行动

The interior design of the Audi Q5L upholds Audi’s usual sense of luxury and technology. The delicate leather-wrapped steering wheel provides a good grip, and its manual up and down + front and rear adjustment functions ensure driver comfort. The center console is equipped with a large 10.1-inch screen, which integrates multimedia systems, navigation and phone functions, and automatic speech recognition technology makes operation more convenient. The seats are made of imitation leather, and the main and passenger seats support front and rear, backrest, high and low adjustment, and have leg rests and waist support to ensure comfort during long-distance driving. The front seats are also equipped with heating function, and the driver’s seat also has power seat memory, which fully reflects its user-friendly design. USB and Type-C interfaces are evenly distributed in the front and rear rows, making it convenient for passengers to connect their devices.

惠州奥迪Q5L降价消息!底价25.9万,赶快行动

The Audi Q5L is powered by a 2.0T turbocharged engine with a maximum power of 140 kilowatts and an outstanding maximum torque of 320 Nm, capable of delivering 190 horsepower. Matching a 7-speed wet dual-clutch transmission ensures a smooth driving experience and high performance.

Summarizing the comments of Autohome owners, the Audi Q5L won her favor with its atmospheric design and comfortable visual experience. In terms of space, whether it is the rear or the trunk, it can meet the needs of family travel. In terms of driving experience, the solid chassis brings stability to high-speed driving, and the smooth control makes daily driving easy. The intelligent taxi function allows her to experience fuel-efficient and stable driving pleasure on the highway. The panoramic sunroof is equipped to add endless comfort to the driving time. As she said, this is not just a car, but a mobile star observation station. In short, the Audi Q5L has undoubtedly become an ideal choice for a satisfied owner with its comprehensive performance and considerate design.

From "Actor Hui" to "Director Hui", Zhang Jiahui needs a total of several steps

When it comes to Zhang Jiahui, what is the first reaction that comes to mind?

I believe that many people will think of "Golden Elephant Golden Horse Double Actor", "Personal Struggle Becomes Legendary" and "Divine Acting" in their hearts, but Zhang Jiahui’s career as an actor has not been smooth sailing. He is not like other celebrities who have been sought after by the public and the company as soon as they debut. We all say that he is a "late bloomer".

Zhang Jiahui loved watching police and gangster movies since he was a child, and he was also deeply influenced by his father who was a police officer, so 17-year-old Zhang Jiahui was admitted to the police academy and became a police officer. After four years as a police officer, Zhang Jiahui wanted to apply to be a plainclothes police officer and was rejected, so he simply quit his job.

Later, Zhang Jiahui mistakenly entered Li *******’s universal film company through the introduction of his classmates, and was appreciated by Li *******. The first play was the male protagonist. But it did not bring Zhang Jiahui the popularity that a male protagonist should have, so he had to go on the run. In the process, he has been playing a small role calmly and diligently.

In Wang Jing’s 1999 film, Zhang Jiahui was the main character, but he was upstaged by Stephen Chow in a supporting role, who was paid millions for only nine days of acting.

Thick accumulation is bound to thin hair, and his persistence and diligence brought him good luck. In the same year, his films finally won him the most important award nomination since he joined the industry – the nomination for Best Supporting Actor at the 18th Hong Kong Film Awards. At this time, he was already 31 years old, and for an actor, he had waited long enough.

Later, Zhang Jiahui married Guan Yonghe, the head of ATV who had been in love for many years, and his film career also entered a new stage.

If before 2005, Zhang Jiahui’s performance impression was centered on the image of gambling comedies, then in Johnnie To’s performance, he completely turned the audience’s impression upside down. He used the performance power he had accumulated for many years to play a stubborn police officer to shock people, whether it was the character’s emotional transformation or the state of the explosion.

In 2008, it was a major turning point in Zhang Jiahui’s life – he won five Best Actor trophies in one fell swoop with "Witness", including the Golden Horse Best Actor and the Hong Kong Film Awards for Best Actor! The complex psychological state of the characters in the film, the contradictory personality, and the well-controlled emotions of the characters, he portrayed a hateful and pitiful tragic character very well.

Since then, he has continued to break his own records. In 2002, he starred in the role of Mute, and in order to create this role, Zhang Jiahui spent a year exercising his figure and trying to eat food that even dogs don’t eat. Hard work pays off, and Zhang Jiahui’s role as Mute is full of forbearance, unwillingness and anger, which makes us feel what real pain is. The film also won him a nomination for Best Actor at the 49th Golden Horse Awards and Best Actor at the 32nd Hong Kong Film Awards!

In 2013, it was the peak of Zhang Jiahui’s acting skills. At the age of 46, Zhang Jiahui trained his body like a real boxer and conquered the judges with his acting skills, winning 10 Best Actor awards!

After refining his acting skills, Zhang Jiahui chose to be a director and successfully directed two works and was called one of the few successful horror films by netizens in recent years.

Now, Zhang Jiahui will meet you on April 28th with his third work directed and acted by himself! This police and bandit action drama has invited Xu Jinglei, He Jiong, Yu Nan, Miao Qiaowei, Yuan Hua, Zhang Keyi, Lin Xue, Zhang Jicong, Qin Pei, Ni Dahong and other acting and powerful actors to join. The gloomy and low tone of the film, the hot scenes of car chasing and gunfight, and the human proposition of entanglement between good and evil have all added a lot of highlights to this May 1st only action movie.

On April 28th, the first mainland public film directed by Zhang Jiahui is about to be released. He has won the Academy Award for his police and gangster films. Don’t you look forward to the films directed by Zhang Jiahui, who has a police background and has accumulated a lot of hair?

Establishing a joint venture new energy value standard, Changan Mazda MAZDA EZ-6 was successfully launched

On July 17, the MAZDA EZ-6 (hereinafter referred to as EZ-6), the first B-class sedan based on the pure electric platform of Changan Mazda, was rolled off the production line at the Nanjing factory. Nanjing Mayor Chen Zhichang, Nanjing Municipal Committee Standing Committee Member and Jiangning District Party Secretary Lin Tao, and relevant leaders such as Nanjing and Jiangning Districts, Wang Jun, President of Changan Automobile, Executive Director of Mazda Automobile Co., Ltd., and Chairperson of Mazda (China) Nakajima attended the new car launch ceremony and jointly witnessed the signing of the Changan Mazda New Energy Vehicle Cooperation Project.

[Left 5: Chen Zhichang, Mayor of Nanjing, Left 4: Lin Tao, Standing Committee of Nanjing Municipal Party Committee and Secretary of Jiangning District Party Committee, Right 5: Wang Jun, President of Changan Automobile, Right 4: Executive Director of Mazda Automobile Co., Ltd., Chairperson of Mazda (China) Nakajima]

Since it settled in Nanjing Jiangning Economic Development Zone in 2005, Changan Mazda has received care and guidance from government agencies at all levels in Nanjing. At the launch ceremony, Nanjing Mayor Chen Zhichang said that since its establishment in February 2005, Changan Mazda has been rooted in Nanjing for nearly 20 years and has made positive contributions to Nanjing’s automobile industry and economic and social development. The successful launch of the EZ-6 and the signing of the cooperation agreement on new energy projects mark that Changan Mazda’s development stands at a new starting point. The successful launch of the EZ-6 is not only an important moment for Changan Mazda to accelerate its strategic transformation to new energy, but also an important step for Nanjing’s automobile industry to continue to move towards the new energy vehicle track.

[Speech by Chen Zhichang, Mayor of Nanjing]

Lin Tao, a member of the Nanjing Municipal Committee Standing Committee and secretary of the Jiangning District Party Committee, spoke highly of the signing of the Changan Mazda new energy project: "The cooperation and friendship between Changan Mazda and Jiangning has 19 years to learn from, and there is a wonderful new journey to look forward to in the future. It will surely become a leader in the new energy vehicle industry in Jiangning in the process of accumulation. Three months ago, Changan Mazda’s first engine electric drive product was rolled off the assembly line in Jiangning; a month ago, Changan Mazda signed a new round of cooperation agreement with Jiangning Development Zone; today, we jointly witnessed the launch of new models and the signing of new agreements, marking a higher level of cooperation between the two parties."

[Secretary of Jiangning District Party Committee, Lin Tao delivered a speech]

Wang Jun, president of Chongqing Changan Automobile joint stock company and chairperson of Changan Mazda Automobile Co., Ltd., said that at present, China’s automobile industry is accelerating its transformation to high-end, intelligent and green, which is both a challenge and an opportunity. It also brings new opportunities for Changan Automobile and Mazda to further deepen cooperation. For a long time, Changan Automobile and Mazda have established and maintained a long-term and good strategic cooperative relationship. Whether it is strategic demands, business philosophy, product technology, channel layout, globalization and other aspects, they are highly compatible, fully trusting, open and sharing, setting a benchmark for joint venture cooperation.

[President of Changan Automobile, Wang Jun delivered a speech]

As one of Mazda’s most important overseas markets, China’s auto market has risen to the forefront of the world in a new round of automotive industry upgrading. In April 2023, Mazda officially announced the business transformation plan for the Chinese market, and joined hands with Changan Automobile, a joint venture partner in the Chinese market, to establish a new cooperation model to promote Changan Mazda’s comprehensive transformation to new energy. For more than a year, the parent companies of the two sides have reformed the product development model, with a cumulative investment of nearly 10 billion yuan. Resources such as talents and equipment have been quickly put in place, and a new cooperation model – "Joint Venture 2.0" has been explored and established. With Changan Automobile’s world-leading electrification and intelligent capabilities, it has empowered the Mazda brand’s century-old car-making heritage, giving full play to the strengths of both parties, and achieving the effect of 1 + 1 > 2

[Changan Mazda New Energy Vehicle Project Cooperation Signed]

"The launch of the MAZDA EZ-6 is just our starting point. With the signing of the Changan Mazda new energy vehicle project, we will continue to strengthen our close communication and co-creation activities with Changan Automobile, the most important partner in China, and the joint venture Changan Mazda. We will continue to uphold Mazda’s core DNA to create unique Mazda products for customers in the global market and become a more supported brand by customers around the world."

[Mazda Motor Co., Ltd. Executive Director and Chairperson of Mazda (China), Mr. Nakajima delivered a speech]

As one of the first automotive brands to enter the Chinese market, Mazda has been deeply involved in the Chinese market for 32 years. It has successively introduced many classic best-selling models such as MAZDA 3, MAZDA 6, MAZDA CX-5 to the Chinese market. With unparalleled driving pleasure, Mazda has nearly 3.90 million users in the Chinese market. There is no doubt that the Chinese market has become one of Mazda’s most important overseas markets. As the latest achievement of the cooperation between Mazda and Changan Automobile, the EZ-6 has integrated Changan Automobile’s world-leading electrification and intelligent technology on the basis of maintaining Mazda’s unique design style, "integrated" driving pleasure, and top-notch safety performance. At the same time, the EZ-6 will also be powered by pure electric BEV and extended-range REEV, making it the only model in the joint venture B-class sedan market to offer extended-range power options.

[MAZDA EZ-6 offline]

As the flagship of the joint venture new energy car, the intelligent strength of the EZ-6 was particularly praised by the guests. Mayor Chen Zhichang observed the EZ-6’s tracking reversing, remote control parking and automatic parking demonstrations on the spot. The EZ-6 vehicle is equipped with 4 megapixel high definition panoramic cameras and 12 high performance ultrasonic radars, which can identify 108 different types of parking spaces such as vertical, horizontal, oblique, and no parking space lines. It has five intelligent parking functions: automatic parking, remote control parking, remote control entry and exit, remote intelligent parking, and tracking reversing, which can bring users a super intelligent and super convenient automatic parking experience.

The successful rollout of the EZ-6 has opened a new chapter in the joint venture new energy. Through this new model, Changan Mazda hopes to still provide users with exciting designs in the era of electrification, so that the driving of electric vehicles can return to "people-oriented", so that electric vehicles can also have the driving pleasure comparable to fuel vehicles, so that the spiritual world of every car lover becomes fuller and more brilliant, so that everyone can "once again be fascinated by MAZDA". At the same time, starting from the signing of this new energy vehicle project cooperation, Changan Mazda will continue to invest more than 10 billion yuan in research and development funds in new energy projects, accelerate the incubation speed of subsequent new energy models, and continuously promote the high-quality and sustainable development of our country’s new energy vehicle industry.

Pindao Diao Yinan: Hu Ge’s ultimate task is to realize the value of life!


1905 movie network feature Director Diao Yinan, wearing the title of Berlin Golden Bear, parachuted into the 72nd Cannes International Film Competition.


In recent years, there have been fewer and fewer new Chinese faces in this flashy May. Therefore, when Diao Yinan took Hu Ge, Gui Lunmei, Wan Qian and Liao Fan on the red carpet at the Cannes Film Palace, he was indeed noticed and expected by the Chinese media.



More importantly, the director who has not produced any new works in the past five years and has chosen to disappear during the most rapidly developing period of the Chinese film market is also looking forward to getting out of some kind of predicament.

 

This is obviously a question with a preset nature. It’s just our guess: for creators, the action of "getting out" is a kind of coherence. The premise of this coherence is to first enter a certain predicament, active or passive.

 

Xiao Dianjun interviewed Diao Yinan face-to-face, three days after the film premiered at Cannes.


We first assume that as a reader, you know that his last work was not only a film that won the Berlin Golden Bear Award and Best Actor Award at the same time, but also maintained the domestic box office record of winning Chinese films at overseas film festivals.

 

But after "Fireworks by Day" won the award, Diao Yinan rejected most of the interviews.



But unlike Cannes, all films come here for one purpose: a concentrated exposure.


After the film premiered on the 18th, Diao Yinan’s itinerary was dominated by official events and media interviews in the following days. He answered similar questions about why he made the film and why he chose Hu Ge.


On the third day of this kind of wheel interview, Diao Yinan was exhausted. The original 40-minute interview was reduced to 20 minutes. The first thing he said after meeting was, can I not ask some questions?

 

At that time, he had just finished an interview with a media and walked out of the rest room. The interview space was a top floor covered by glass. The sunlight was concentrated on the interviewees, and there was no excitement brought by the spotlight of the stage. Only sultry, burning and exhausted.


We asked him if this story of escape had anything to do with his desire to escape from the immense fame that "Fireworks by Day" had brought.

 

Diao Yinan seemed to accept our presupposition. But instead of giving us a completely positive answer, he said: "It’s also possible."


After "Fireworks in the Day", he also experienced a lot of vanity fairs, parties, grand ceremonies, and meeting people from all walks of life. Sometimes it felt good, but most of the time he wanted to avoid these scenes. Diao Yinan said that he still likes to be alone, and it is more comfortable to be alone.



"This is also the success of’Fireworks by Day ‘, but it also forms a dilemma for me, and this dilemma is that you have to go out." For Diao Yinan, the best way to get out of the dilemma is to work.


In his opinion, he had to work like a craftsman to complete the next script.

 

On Diao Yinan’s way to "get out of the predicament", there were many companions. Li Li was one of them.

 

Five years ago, he asked Diao Yinan if he could make a film that was more typed and better integrated with business and art.

 

A few months later, Diao Yinan showed him a piece of news about a fugitive who was offered a reward by the police and wanted to leave the reward to his family. Li Li felt that this was a story suitable for Diao Yinan.



He was also touched by another story: In the 1980s, in Xi’an, where Diao Yinan lived, a well-known gangster escaped from prison shortly before his execution. The police in the city searched for him and found nothing. Two years later, he was arrested again and told the truth. It turned out that after escaping from prison, he ran into the zoo, hid in the elephant house, ate and slept with the elephants for half a month, and watched the tourists outside the elephant house every day, as if he had become a beast.

 

Diao Yinan said that he couldn’t wait to use the story.

 

So he went into a creative retreat. The workflow is simple: wake up in the morning and have a bite to eat and then start working. After lunch is another writing period. Sometimes go for a walk in between and come back to continue writing. Not necessarily in the evening, but I also write a little.



Looking back, Diao Yinan felt that the whole creative process of the script was also very anxious. He is a person who thinks very carefully about every scene. The script was only written in one draft, but he did a lot of sub-scenes and imagined different developments.

 

All the process of writing a script depends on luck. If you are lucky, you will write smoothly. If you are not lucky, there will be various situations.

 

Diao Yinan compared writing to going to an appointment, just as he had already thought of the name of the play before he started writing it: "The Wild Goose Lake".


As a screenwriter-turned-director, Diao Yinan feels that when he creates, the picture and the story are two-way thinking at the same time. His scripts clearly write some scenes and atmospheres, but at the same time add literary expression.


In his opinion, the process of writing a screenplay is a game of thinking, a succession of ordinary stories, coupled with the spiritual appeal of the film.

 

"How these things hide underneath your story to form an undercurrent, these are some very complex mind games. But in the end you have to transform it into emotion," Diao Yinan said.


This mind game has been going on for two years. He showed the written script to Li Li. Li Li felt that the cost and difficulty of filming "The Wild Goose Lake" would exceed "Fireworks in the Day".

 

This hugely successful film actually gave Diao Yinan confidence. It allowed him to find that with such a film in his hands, he could find better partners for future projects.



"The most important thing is that’Fireworks by Day ‘let me know that there is nothing wrong with you shooting genre films like this. Before, basically everyone regarded genre films as commercial films. There are strict routines for fighting and killing. Now I know very well that you can use it as an art to direct."

 

However, the process of "Fireworks in the Day" is still the production process of an independent art film. On the way out of the dilemma, Diao Yinan actually entered a new dilemma.

 

"The Wild Goose Lake" presents Diao Yinan with a great challenge compared to "Fireworks in the Day". 85% of the plot is night scenes. This means that the working hours are only 7 to 8 hours per day. The distance from the residence to the location is also almost 1 hour per day, and the shooting time is compressed even more.


"The Wild Goose Lake" is a full-scale integration with industrial production, said Shen Yan, another producer: "During this process, it is conceivable that the director himself faced a lot of pressure, and to some extent it was a painful transformation of himself. For creators like Diao Yinan, the insistence on quality is always the first priority, so all production plans and arrangements must also be based on this unshakable point."

 

2,500 group performances, more than 80 non-repeating scenes, and a 5-month shooting cycle. These demands also make the film’s cost pressure not to be underestimated. It is also for this reason that the film needs to use stars to ensure the radiation of the audience and the influence of the film in the future. After Shen Yan proposed to choose Hu Ge, Diao Yinan and Hu Ge met and hit it off.



Like Diao Yinan’s attempt to emerge from the huge reputation of "Fireworks by Day", Hu Ge also hopes to have a transformation in his acting career. The two "fugitives" go to the party together and actively enter a certain dilemma together.

 

Diao Yinan thought Hu Ge’s face was reminiscent of the beasts of the night: "They all seem to be in the jungle on the edge of a city, lurking or raiding at night, or evading hunters." He gave the face a lot of close-ups, but often did not tell Hu Ge the scene he used to shoot him.


This was Diao Yinan’s habit of "torturing" actors. Because when he told them, there would be hints in his heart, and the performance would be tightened rather than relaxed. He also used some difficult words to tell actors about the play.


Gui Lunmei recalled that when Diao Yinan asked her to have another one, she gave the instruction to "be more black."

 

But Diao Yinan felt that the actor could understand himself. This was his reaction according to his speaking habits. If the actor didn’t understand, he believed that he would let himself explain. If he didn’t need an explanation, then he understood. His reaction to the actor was still based on what the actor gave.

 

Hu Ge’s feelings about this were obvious. He recalled Diao Yinan’s demands on him, and was surprised that a director would make demands on his breathing ups and downs and blink frequency. In a close-up, Diao Yinan made it clear that Hu Ge should not blink twice.


Diao Yinan’s request brought a lot of anxiety to Hu Ge from the small screen to the big screen, forming an invisible dilemma. But Diao Yinan himself resonated deeply with this dilemma. When talking about the success of getting out of "Fireworks in the Day", he compared himself to Hu Ge’s role:

 

"Hu Ge also had his ultimate mission, which was to fulfill the value of his life in the end, but he finally completed it. Many of us may not be able to truly fulfill the value of life in the end, and people themselves know that they are going to die, and only how they die. This is different from animals, so humans are also animals with a body and a tragic nature. Hu Ge also knew how he died, but he gritted his teeth and passed through each pass, and finally walked towards his own sacrifice, but in fact he obtained a life."


In the movie, the dilemma he sets for the protagonist is a strange space.


Speaking at a press conference in Cannes, he described the space as an inner heterotopia. Stepping into the edge of China’s reality and into these dark depths, Diao Yinan felt that the bright shadows at night, the lights, the steam, the shadows, the streets, and the silence all brought a sense of romance or destiny.



The characters of Hu Ge and Gui Lunmei are both gray people on the edge.


But Diao Yinan feels that the darker the person, the more light he can see. He tries to talk about some chivalrous concepts in this film. In his opinion, traditional ethics and morality are the more valuable qualities of this era: "Today’s society is developing very fast, and everyone has slowly forgotten these values of tradition, so I think it is particularly necessary to remind everyone that these things are very important."

 

It seems that not everyone has received this signal.


After the Cannes Film Festival ended, "The Wild Goose Lake" did not win a prize.


Diao Yinan, who once said that he liked to keep himself in a state of not being recognized, said this time: "You have to continue to climb up, the mountain is still there. And I think there are still many people who do not recognize me, and some people say that our movies are not good. I regard these opinions as wealth."

 

At the end of the movie, Diao Yinan felt that the ending he gave was warm: "The foundation of Hu Ge’s actions also has a warm tone. In the end, the two women completed their redemption and walked on the street, as if they had won victory."

 

I don’t know if it was because he was in a difficult situation and caught the ray of light.


Is it normal for the audience to watch the drama at double speed? Is the audience too busy or the drama too watery?

Story of Yanxi Palace, with 70 episodes, can be watched by the audience in only one and a half days through "multiple play".

For the popular drama "Ruyi’s Royal Love in the Palace", the video website provides a way to watch only one actor to save the audience time.

  Our reporter Xu Yuzhe

  "How tight is the time for contemporary young people? You have to drive twice as fast to watch a drama. " Recently, an ordinary netizen, a seemingly casual Weibo, has won thousands of praises and comments. Indeed, "double-speed broadcasting" has now become the norm for many young audiences to catch up with domestic dramas. The so-called "double-speed playback" is a newly added function of video websites in recent years. Users can use playback software to speed up or slow down the video playback rate, generally ranging from 0.5 times to 2.0 times. In the case of "double speed", you can finish 70 episodes of the popular drama "Story of Yanxi Palace" in one and a half days.

  According to the data of "China TV Drama Industry Report in 2018" published in April this year, in 2017, the total number of TV dramas was more than 465, and the average number of single episodes reached 39.8. Since 2011, 300 to 400 TV dramas have been broadcast every year. In the fragmentation time, it really takes a lot of time to watch so many dramas. In the social life of young people, "explosive" TV series is an important talk. In order to keep up with the rhythm of friends, many people will choose to play the brush drama at double speed during the break.

  For many viewers who don’t want to miss a frame, it is very important to choose the double-speed playback that suits them. The experience of Galen, the audience, is that the speed of 2 times is indeed a little fast, and the speed of 1.5 times is just right. "The plot can basically be clearly presented, and the speech speed of the actors’ lines is normal." After changing the double speed, it will also make the series have the entertainment effect of "ghost animals". On bilibili, a barrage video website where many young people gather, videos of "1.5 times speed play zone" and "playing with 2 times speed is better" are often provided.

  When it comes to double-speed playback, the attitude of many viewers is "doing it as a last resort." What annoys the audience is that some domestic dramas are often filled with a lot of flashbacks and useless dialogues in order to lengthen the number of episodes and make up the plot. "Remembrance killing" was originally a means to promote the progress of the plot, but half of an episode is remembering, and even the patient audience will choose to play it at double speed. In some love idol dramas, in order to show the emotional development of men and women, there will be a large number of slow-motion shots.

  The sloppy script creation of some domestic dramas is staggering. According to industry insiders, it usually takes about half a year to compare 12 episodes of American TV dramas, and 50 episodes and 60 collective scripts of some big IP dramas in China can be completed in 5 months. Under the influence of the idea of "quick script" and quick success, it is normal for the audience to quickly brush through the "brainless plot" by playing at double speed.

  On the other hand, domestic TV stations purchase TV dramas mostly by the number of episodes. For the sake of commercial interests, many TV dramas are seriously flooded. There is a long-standing "stubborn disease" that domestic dramas are prone to 60 or 70 episodes. There are basically more than 60 episodes of Chuqiao Biography, 76 episodes of Empresses in the Palace, and the fantasy of ancient costumes. Urban modern dramas also start with the lowest 40 episodes … … At this year’s annual meeting of Shanghai TV series production and broadcasting, Wang Leiqing, director of Dragon TV, spoke directly: "There are too many ‘ The dragon’s head is rotten and the snake’s waist is weak ’ It seems that a costume drama can’t be called a big drama without seventy or eighty episodes. Is there water injection in the middle? Everyone is very controversial about the long-episode TV series. The audience needs less than 50 episodes of dry dramas without water, and the market needs about 30 episodes of fast-paced innovative dramas! "

  Domestic dramas choose water injection, so the audience chooses "wringing out". Ironically, in addition to double-speed playback, video websites have also launched other "wringing" services. For example, "just watch TA": this function assembles the scenes of several leading actors in each episode into fragments, and users can choose to watch only the parts related to an actor, which is suitable for fans. Another example is "listening to the drama": this function makes the video audio, so that users can understand the content through sound when it is inconvenient to watch, which is suitable for commuting. There is also a "key plot reminder": this function displays the highlights of each episode in the form of key points in the progress bar, and users can see the general plot by placing the mouse on the key points, so as to decide whether to stay or jump.

  How to make more viewers stop playing at double speed is a test of the quality of film and television works. When double-speed broadcasting is becoming the choice of more and more viewers, the practitioners in the TV drama industry need to reflect deeply. In the view of critic Dai Xianren, only fine products can win the market and rich returns, and the TV drama industry can enter a virtuous circle of survival of the fittest. He also bluntly said that when the TV series really works slowly, the story is wonderful and the performance is exquisite, and the double-speed playback can’t convey the high-quality content well, the audience will play these excellent works at the original speed or even taste them repeatedly.

There is only one Tom and Jerry for the Lantern Festival, but after the Spring Festival, Li Huanying still supports the market.

The public may have perceived that this year’s Spring Festival stalls are longer than in previous years.

 

Compared with the end of the Spring Festival in previous years, the film market will be taken over by imported blockbusters around the Lantern Festival. This year’s Lantern Festival and even the beginning of March, the box office market is still dominated by Hi, Mom (hereinafter referred to as "Li Huanying") and Detective Chinatown 3 (hereinafter referred to as "Tang Tan 3").

Chinese box office data show that on the Lantern Festival in 2021, the box office market reached 262 million, up 43% from the previous month, and the performance increased by about 20% compared with the Lantern Festival in 2019. However, the market still maintains the pattern of Spring Festival stalls. Li Huanying contributed 44.6% of the box office by itself, followed by Tang Tan 3, but the box office accounted for only 16.52%.

 

It is worth noting that five movies were released on the Lantern Festival, but only one movie with a large volume, Warner Bros. classic animation IP "Cat and Mouse" movie. The film won 28.86 million box office on the day of its release, and was quickly overtaken by the old Spring Festival film Crowd.

 

As of the time of writing (around 19: 00 on February 27th), the proportion of film arrangement is about 10%, which is far from Li Huanying, Tang Tan 3 and other old films in terms of box office volume and film arrangement space.

 

Obviously, judging from the volume of films released at the Lantern Festival this year, the film market does not attach importance to this festival. The fifteenth day of the first month, as the end of the Spring Festival, is hidden in the long tail heat of the Spring Festival file.For a long time, the box office market has been very vague about the concept of "Yuan Xiao dang". When the movie market is busy, it can barely be regarded as a schedule, and when the market is cold, it is an ordinary working day/weekend.

 

This year’s Lantern Festival is an ordinary Saturday. It should be noted that this disappearing Yuan Xiao file in 2021 is not only the indifference of a small festival, but also seems to indicate the loss of the entire imported film market.

The coldest Lantern Festival in history?What we should really worry about is the cold period after the Spring Festival.

The film market after the Spring Festival stalls has experienced a long cold period, but this year’s cold period of the Spring Festival stalls is even more withered than in previous years.

 

According to the data of Cat’s Eye Professional Edition, after 7 movies were released during the Spring Festival, 9 other movies were welcomed in the movie market in February, but most of them were domestic films for one-day trips. Among the five films released in the Lantern Festival, except for the imported cartoon Tom and Jerry, which caused a splash in the market because of IP awareness, no one cares about other films such as Suburban Birds’s "Agent Mommy". In the two days after the Lantern Festival, no new films were released in the market, and a batch of old films continued to harvest the market during the Spring Festival.

This situation is somewhat miserable.Throughout the Lantern Festival in the past five years (2015 -2019), although there is almost no schedule effect on this festival, it has never been taken seriously by the box office market. However, the Lantern Festival occasionally coincides with the weekend or is close to the Valentine’s Day file, which is often the end of the "monopoly" of Spring Festival movies and the beginning of new films entering the movie market.

In fact, the Lantern Festival is not a regular schedule, and a fixed wave of new films has not yet formed in the market. For example, the Lantern Festival in 2016 falls on Monday, which is a normal working day, and there is no public holiday. There are no new films released this year, even before and after the Lantern Festival.But when the festival is in the right time, it will have a small-scale scheduling effect.

 

For example, the Lantern Festival in 2018 falls on a Friday, and eight new films are released on the day of the festival. Among them, imported films such as Peter Rabbit and Uncle Monkey of Little Loli in Three Billboards Outside Ebbing, Missouri are released, officially announcing that the import market has begun to exert its strength. Since then, the Oscar season and popular IP blockbusters in the imported market will enter the market one after another.

The Lantern Festival in 2019 is also a working day, but the Hollywood blockbuster Alita: Fighting Angel was released this weekend, which set off the first wave of imported movies in China.

 

It can be vaguely felt that although the Lantern Festival has a very weak sense of existence in the box office market, it seems to have a subtle node significance for the imported film market.It has virtually become a signal to remind the market that the domestic blockbusters in the Spring Festival stalls are ebbing, the cold season is coming, and imported films are coming into the market.

 

This year’s Lantern Festival should have the same effect, but under the influence of the epidemic black swan, the overseas film market has not recovered, and the imported film market has withered unprecedentedly. Only one imported IP film was released in Tom and Jerry during the Lantern Festival. As a big animated film of MGM’s classic comedy, the film broke away from the original 2D animation and was completely produced by CG technology combined with real-life interpretation.

For the domestic audience, Tom and Jerry has a strong childhood color. Tom, the stupid cat who can never catch the mouse, and Jerry, the clever and lovely mouse, are one of the most vivid and interesting memories of childhood. In overseas markets, this animated short film has reached hundreds of episodes, won seven Oscar animated short film awards, and is popular all over the world. It is one of the cutest and humorous symbols in the global pop culture market from 1940s to 1970s. From MGM to Warner Bros., "Cat and Mouse" is also one of the most classic animation images in animation history.

 

However, the situation of the big movie Cat and Mouse is not optimistic.Cat and Mouse was originally planned to be shown in cinemas. However, under the influence of the epidemic, the release date of the film was revised several times in overseas markets, and finally it landed on HBO MAX, a streaming media of Warner Bros., in the Lantern Festival, while the cinema was released simultaneously in the domestic market.

 

As far as the domestic box office market is concerned, the release performance of Cat and Mouse is not as good as expected. From childhood feelings to big movies, movies have not played the ideal effect of heat fermentation and box office conversion.

 

This is a market reason.In the cold period after the Spring Festival, the market is still dominated by domestic films in the Spring Festival, and it is difficult for imported films to break through. However, the animated films like Tom and Jerry, although blessed by IP, are limited by the theme, and the box office space is more limited.

 

On the other hand, it is the quality of the film itself.Tom and jerry Douban scored 5.7, and the animation fans were not satisfied with the big movie, "Tom and Jerry content was 20%" and "giggle without thinking, and then the real protagonist was not Tom and Jerry’s movie".

 

There is no blockbuster in March, how long can the temperature of the Spring Festival stall last?

 

February is drawing to a close, and what really worries people is the movie market in March.

 

After imported films began to make up for the cold period of the Spring Festival in 2018, the film market from 2018 to March 2019 either gave way to Hollywood IP blockbusters, or mainly imported films, supplemented by small and medium-cost domestic films.

 

Take 2019 as an example. In March this year, 39 films were released, including 14 imported films. At the beginning of the import market, there are the animated IP movie Master Dragon Trainer 3 of Universal Pictures, Captain Surprise of Marvel Comics’s super English movie, the theatrical version of Natsume Friends’ Account, the Japanese IP animation My Hero Academy in the middle of the month, and The Lego Movie 2: The Second Part of Bohemian Rhapsody in the second half of the year. On the domestic market, it is the topic movie "The Sad Story" and the literary word-of-mouth movie "Over the Spring".

In March 2019, the monthly box office reached 4.16 billion, and imported films were the main force in the box office market.

 

On the other hand, this year, only 20 films have been announced in the film market, of which only one Disney animated film "The Legend of Searching for Dragons" is a relatively large imported film. On the domestic market, there are small-budget movies such as Legal Companion and Love Picture Book in Beijing, as well as comedy movies such as Days Never Fall Hotel that have been postponed several times before.

 

The shortage has been visible to the naked eye, which makes the box office prospect in March unpredictable.In the previous two years, the task of the box office market in March did not accidentally fall on imported films, but the era of domestic box office supported by imported films has passed. In March 2018, except for the last Ready Player One, other imported films did not perform as expected. In 2019, "Alita: Fighting Angel" started the "box office defense war" after the Spring Festival in advance, but the market still showed a downward trend. The impact of the epidemic in 2020 has made the box office weight of domestic films rise rapidly.

 

At present, the box office market is still in the afterglow of the Spring Festival, and the cumulative box office of Li Huanying has exceeded 4.7 billion yuan, and the cumulative box office of Tang Tan 3 has exceeded 4.2 billion yuan. The box office market also accommodates two explosive movies exceeding 4 billion yuan, and the biggest heat in the Spring Festival market has been released. And "Crowd" A Writer’s Odyssey and other mid-waist movies have more room to play the long tail effect because there are no new films in the market, but it is unlikely that the movies can release the second wave of dividends.

 

The film market in 2021 is still special, and now we need to think about the problem. When the residual temperature of the Spring Festival stalls dissipates and the import market is missing, how can the film market tap a new box office market under this new situation?

What exactly is China’s culture?

Author: Ge Zhaoguang (Professor, Institute of Literature and History, Fudan University)

The topic I am going to talk about today is a very common topic-what is the "China’s" culture? A little special is that I put the words "China’s" in quotation marks, because what I mainly discuss is what can be regarded as China’s culture.

Why do you want to discuss this issue?

As we all know, there have been many discussions about China culture since the late Qing Dynasty, from Lin Zexu and Wei Yuan’s "opening their eyes to see the world" to the May 4th New Culture Movement and the "cultural craze" in the 1980s. Why are we discussing this issue today? This is because I have the following special considerations, first of all, "tell the truth."

First, our past discussions about China culture, or the definition of China culture, are often exaggerated and specious. We have some highly generalized adjectives, but to be honest, you don’t know what he is talking about after listening to it, which is not in line with the habit of a historian. I’m going to tell you something specific today, that is, what can be regarded as "China’s culture".

Second, I also have my concerns. In recent years, many people are keen to talk about China culture, such as "China culture going abroad" and "China culture’s significance in the world". However, when many people talk about "China culture", they will first "narrow it down". As we all know, China is a multi-ethnic country now, but some people have narrowed China culture into Han culture, then narrowed it into Confucian culture in Han nationality, and then narrowed it into Confucian culture that he thinks is orthodox and classic, which makes us misunderstand what China culture is.

Thirdly, I am very worried that when we talk about "China culture", some people have a strange sense of cultural superiority that comes from nowhere. Therefore, under the background of the so-called "rise of China", many people will have an illusion that our China culture is superior to other cultures. Actually, culture is a phenomenon, a feature,There is no high or low culture and no high or low nation.Therefore, we need to know China culture rationally, historically and consciously now, so that we can have an attitude of mutual communication, mutual understanding and equality with various nationalities and cultures.

Five typical characteristics of China culture.

What I want to make clear today is what is a typical China culture. In other words, that is, the characteristics of China culture, what is obvious in China and not obvious in foreign countries, what is in China and not in foreign countries, so that we can call it "China culture". However, I have to make a definition here. The following is mainly about the culture of China, a Han nationality.

The first is reading, writing and thinking through Chinese characters.This is very important. You know, except for a few Dongba characters of Naxi nationality in China, all pictographic characters have basically disappeared in life, and only Chinese characters are still in direct contact with their original pictographs and originality.

Some Chinese characters are pictographic, such as the sun, the moon, the wood, the fire, the water, the hand and the knife, etc. This was called "Wen" in ancient China. In Zhang Taiyan’s view, this is the most basic Chinese character unit "Chuwen". This is the ancient people’s direct description of what he saw through images. However, if these words are not enough, we should add understanding, that is, add some symbols to mark the meaning on some hieroglyphics. For example, adding a little to the blade is the "blade"; Claw on the tree is "picking"; Cattle are locked in a pen, which is "prison" Knowing is still not enough, just add sounds and become pictophonetic characters, such as rivers, pines and cypresses.

The basic Chinese characters are mainly these three categories. Of course, there are six kinds of six books, but these three categories are the main ones. As you can see, these three categories are based on shape. Therefore, speaking, thinking, reading and writing with Chinese characters will bring many features, and there may be some.Emphasis on feeling and association, but the grammar is relatively simple.The characteristics of.

I often cite an example. China people have a natural feeling and association with "writing" and "character". The word "person" in ancient times is a person at first glance. If this person’s mouth is facing the sky, it is a "brother". A brother is not a brother’s brother, but a celebration "wish". A person’s mouth is facing the sky, which means "wish" and "curse". What is a person’s mouth facing forward? It is the "owe" of yawning. But what if this mouth falls back? Since it is "since", it means that you will not eat after eating, so it means "since", that is, it is over. Chinese characters are very interesting, which forms many characteristics of China culture. In short, the use of Chinese characters has brought about the development of calligraphy and the development of poetic temperament, such as antithesis and leveling, which are unique to monosyllabic Chinese characters. In ancient China, Chinese characters, a pictographic-based writing, have never been interrupted in history. It has greatly influenced our thinking, reading and writing, and even affected East Asia, forming the so-called "Chinese character cultural circle".

The second feature is "family, family, country and Confucianism produced in this social structure".This is very influential. When I am in class, especially for foreign students, I have to ask a question, which is, what should Jia Baoyu call Lin Daiyu, Xue Baochai and Shi Xiangyun? Foreigners are always confused. They say sister, I say, it’s not that simple. In Chinese, it’s cousin, but it’s still not that simple. Strictly speaking, Lin Daiyu is Jia Baoyu’s aunt cousin, Xue Baochai is Jia Baoyu’s aunt cousin, and Shi Xiangyun is a cousin after two generations.Why is China’s appellation so complicated?

This is because China’s family, clan and clan community, in order to be orderly, must define the relationship between distance and closeness very clearly, which involves China’s ethical principles and hierarchical order. To put it simply, there are actually two principles here. One is "there is a difference between inside and outside". Parents and husband and wife are divided into inside and outside, that is to say, female relatives and male relatives are not the same in rank. For example, uncle, uncle, that’s your father’s party, with the same surname; But, uncle and aunt, that’s the mother party, with different surnames. Therefore, grandparents are outside and grandparents are inside. In ancient China, it was clearly divided.

The second principle is "order from top to bottom". It must be made clear that the top and bottom are equal, and the division is clear and can’t be chaotic. These two principles are most obvious in the mourning system. After a person dies, what clothes to wear at this person’s funeral, on the one hand, shows how close you are to the deceased, on the other hand, connects a big family, an enlarged family and a larger family community through mourning. China’s family, clan and family community are enlarged again, which is the country. Neither country nor state in the west means "home".China has a "country" and a "home country".Because in China’s concept world, the country is an enlarged home, and the home is a reduced country, and the ethics of being orderly up and down and having other things inside and outside are also very strict at the national level. It is on this basis that Confucianism came into being.

Thirdly, a very important feature of China culture of Han nationality is the belief world of "three religions in one".Song Xiaozong, Emperor Yongle and yongzheng emperor all said almost the same thing, that is, "Confucianism governs the world, Buddhism governs the mind and Taoism governs the body". In other words, Confucianism is in charge of social governance, Buddhism is in charge of spiritual cultivation, and Taoism is in charge of physical cultivation. The three religions seem to be quite harmonious. In fact, historically, this truth is very simple. In China, Buddhism and Taoism have no absoluteness and sacredness, so it is difficult to see debates between religions and wars between religions. This is a characteristic of China.

The fourth feature is China’s most interesting Yin-Yang and Five Elements.Forget about Yin and Yang. There are two principles in the Five Elements. One is the mutual generation, the golden water, the aquatic wood, the wood fire, the fire earth, and the native gold, which are the samsara of mutual generation; Jin Kemu, Mu Ke Tu, Tu Ke Shui, Shui Ke Huo, Huo Ke Jin, this is the rotation of Xiang Ke. The second principle is that the five elements can connect everything in series, for example, the five elements can be matched with five parties, southeast, northwest and middle; Can be matched with five colors, blue, white, red, black and yellow; It can be matched with five tones, and the Gong Shang angle is feathered; It can also be served with five flavors, sweet and sour, spicy and salty, and so on. Connecting everything into a big network is the knowledge basis of our ancestors’ understanding of everything in the universe. Now we have studied science and have doubts about this, but in ancient times, this was the most critical basis for our understanding of the world, and on this basis, a whole set of knowledge and technology was produced.

Fifth, China’s concept of the world,In our modern words, China’s ancient world outlook is very different from that of other countries and nations. In ancient China, there was a place where the universe was imagined to be round, that is, the sky was round like a cover and the place was like a chess game. That is, the sky is round, like a hat, and it is like a chess board. Where is the center of the sky? The ancients imagined that in the North Pole. The ancients watched the celestial phenomena at night. In the vision, the sky is turning, but the earth is not. Therefore, "Heaven turns left". When you face north, the sky turns left, and you will feel that there is a place that never moves. This is the North Pole, which is the pole we are talking about now.

Where did the ancients think the center of the earth was? Luoyang is the center of the earth. This is because when this concept was formed, it was probably the Eastern Zhou Dynasty, when Wang was in Luoyang. Luoyang is the most remarkable, especially, on the day of the summer solstice, "there is no shadow under the sun." So,In ancient China, Luoyang was the center.Imagine zooming in and out, this is the shape of the earth, so there is a saying of "nine clothes" or "five clothes". Every five hundred miles, there are five hundred miles on each side, which is a thousand miles, and the "five clothes" is five thousand miles, and the earth is so square.

However, it is very important to form an idea from here, that is, the more people in the center, the higher the level of civilization.The more people on the edge, the lower the level of civilization. This is Na Man, Bei Di, Dong Yi and Xi Rong. China formed the concept of "Hua Yi" very early.That China people are civilized people and the people around them are barbarians, and barbarians have formed a set of "world concept", that is, imagining the world with me as the center. This imagination and concept gradually developed, which not only became a cultural concept in ethnography and geography, but also formed a political system, namely "tribute system".

If these five aspects are combined together, it constitutes a very obvious culture belonging to China, the Han nationality. However, it needs to be emphasized again that modern China is a mixture of five parties, and even the Han nationality itself is a mixture of five parties. From the Qin and Han Dynasties to the Sui and Tang Dynasties, in fact, foreigners came in constantly, and the Han nationality was gradually absorbed, integrated and mixed with other nationalities.

I have been saying that China culture is plural culture, not singular culture. If you don’t have this idea, you may become blind cultural arrogance.

03 different from the previous cultural transformation

Historically, China has always "changed within the tradition", and the mainstream culture has always been adjusted within the traditional system of Han culture. This is because in ancient China, no culture, whether Buddhism, Sanyi religion, Islam or Catholicism in the Ming and Qing Dynasties, can challenge and change this Han China culture. Therefore, the changes are all adjustment, adaptation, reform and change within the tradition. However, in the late Qing Dynasty, China had to "change outside the tradition" and go beyond the tradition, and its culture was facing a crisis.

From 1895 to 1919, this is the most important period of China’s ideological and cultural transformation. During this period, you will see many changes, for example, the emperor became the president, the Manchu empire became the Republic of China with five nationalities, and the traditional empire had to become a modern country; Abolish the imperial examination and set up schools; Opening parliament and establishing political parties; Cut off the braid and put on a dress; Stop bowing and shake hands; Women’s liberation and equality between men and women; Get rid of superstition and advocate science; Untie the bondage and get out of the family. In the past, the so-called "three cardinal guides and five permanent members" have changed and become very thorough and powerful. Facing the western and oriental powers, China people are in an anxious and nervous state of mind. It’s hard to see the self-confidence and stability in the past, and elegance, generosity and calmness are becoming more and more out of date.

Accordingly, the five aspects of the culture of China, the Han nationality, which we just talked about have also changed.

Although most people in China still use Chinese characters, great changes have taken place in modern Chinese.

First, the May 4th New Culture Movement advocated vernacular Chinese. It is undoubtedly very correct to advocate vernacular Chinese, because it is necessary to popularize the literacy rate and improve the cultural level of the people. However, there has also been aNew and old cultural fractureThe problem. The former written language, that is, classical Chinese, represents elegance, courtesy and dignity, and also represents education and culture. Now it is no longer there. When the previous spoken language becomes written language, elegant words and common sayings lose their equal rank, and at the same time, elegance and vulgarity are no longer different. I don’t know if you have this feeling now. Since the vernacular has become the mainstream, there is no longer an elegant way to write letters. With the popularization of computers and the popularity of the Internet, the style of language and culture has disappeared. For example, students write to me without signing their names, and finally they say "Hehe". There is no difference between elegance and vulgarity. Secondly, modern Chinese is mixed with too many modern or western new words. After these words come in, the world we perceive through language has changed. Thirdly, especially after 1950s, China advocated simplified Chinese characters, which widened the distance between the characters and the original image. Although simplified Chinese characters are easy to learn, they are more and more like abstract symbols without the original "shape". In traditional Chinese culture, problems arise through the thinking, writing and expression of images.

Second, there are also problems in family, family, country and Confucianism. Although some traditional families and family organizations are still maintained in modern China, especially in rural areas, China people still attach great importance to family, affection and obedience to their superiors. However, urbanization, small families and population mobility have changed the structural relationship between family, society and country. In the past, the close and interdependent neighborhood, township party and family relations have gradually disappeared in the process of modernization. Therefore,Confucian family ethics and state theory have gradually lost their original social foundation.

The third is to believe in the world. Since the late Qing Dynasty, under the impact of western democratic ideas, Confucianism has gradually been unable to bear the heavy responsibility of political ideology. Under the impact of western scientific ideas, Buddhism and Taoism have been tied down by "breaking superstition" and gradually withdrew from the real world of spirit, knowledge and belief.More and more secularization, institutionalization and tourism.Therefore, the traditional belief world is also in crisis.

The fourth one isyin-yang and five elementsUnder the impact of science, it is becoming more and more difficult to maintain, and it can’t completely explain everything in the world now. The theory of yin-yang and five elements is still preserved in the fields of traditional Chinese medicine, geomantic omen, food supplement and so on. In the whole modern knowledge system, it has reached a very marginal place.

The fifth is "from the world to all nations", and the basic concept of the world has changed. After the late Qing Dynasty, the Western Ocean entered the East, which not only destroyed China’s concept of the world and the tributary system, but also redefined the relationship between China and other countries in the world. The world outlook, world outlook, tribute or canonization system in ancient traditions are completely unrealistic.

The above changes show that China culture, especially China culture of Han nationality, has been in an era that needs to be re-recognized, re-understood and re-updated.

What is the difference between "culture" and "civilization"

Today, I have repeatedly stressed that there is no difference between different cultures, only civilization is different in degree. On the basis of such an understanding, we may be able to alleviate the long-term anxiety and tension. I’d like to quote a German scholar iria’s opinion here. In his book The Process of Civilization, he suggested that "culture" and "civilization" can be defined and distinguished, that is, "culture" is something that shows differences between nations, and it always shows a nation’s self and characteristics. Therefore, it has no distinction between high and low. And "civilization" is those things that gradually reduce the differences between different ethnic groups, showing the universal behavior and achievements of human beings. In other words, it is"Culture" makes all ethnic groups different, and "civilization" brings all ethnic groups closer and closer.

Then iria pointed out that "culture" is a kind of personality and spiritual temperament that you don’t have to teach deliberately, but you can get it by hearing it, while "civilization" is often something that you need to learn, so it is always connected with words such as "educated", "knowledgeable" and "regular". It’s like saying that we often play with the ball, which is no problem, but I’m sorry, once you go to the basketball court, you can’t kick it with your feet, and you can’t hold it with your hands (except the goalkeeper) when you go to the football field. Many people have to have rules when playing together.

Although "culture" allows you to express your own characteristics at will, "civilization" gives you some restrictions and rules. If we understand "civilization" and "culture" in this way, we don’t have to be afraid of globalization and modern order, and we don’t have to worry that our culture will be eroded. The question is how to protect our unique culture and tradition in the universal civilization and rules.

Then, I must also explain that,The "culture" of various ethnic groups is often stubborn, and it shows a resistance to heterogeneous "civilization".There is no doubt that civilization is constantly eroding culture, and we admit this, because "civilization" is often advancing, and it always shows the tendency of colonization and expansion. In other words, "culture" is related to tradition, which is special, while "civilization" is related to the future, which is universal. How to coordinate the two?

Today, we are going to talk about the characteristics of China culture of Han nationality, so what we need to consider is,How to preserve special cultures under a universal civilization rule, and at the same time understand the rationality of these cultures in history in the era of modern civilization.

For example, while accepting and praising science, can we have some sympathetic and historical understanding of Yin-Yang and Five Elements? For another example, when we accept the universal laws and systems, can we have a little historical understanding of the ethics and moral standards of the traditional family, family and country in China? For another example, can we also have some warmth towards traditional religions when accepting new civilizations? Similarly, can we not only accept the principle of equality among nations, but also have a little understanding of China people’s historical habits of understanding the world? I personally study history. I have always believed that both culture and civilization must be viewed from the perspective of history. We admit that history is unchangeable. We should look back at culture and look at civilization in the future and have sympathy for both.

Source: History Research Society

Editor: Xu Aixue of Weinan Political Science and Law Network

Game introduction

Word Box, a God Game Simulator, is a sandbox-type leisure and entertainment game, in which you can create the world and create the feelings of God.

Here, you can view the world situation, temporarily and quickly, and also define the laws of the world, save and create the world.

There are many ways to play in the game, so you can play freely.

First, create and shape your world

1. Deep sea, offshore and shallow sea (making all kinds of marine topography)

2. Sand (can make desert)

3. Soil, forest (water can be used to grow grass and trees)

4. Hills and mountains (making short mountains and high mountains)

5. Shovel (can increase or decrease the ground height)

6. Finger (check the box to copy)

7. Cyclone (distorting and disturbing pixel blocks)

8. Sponge (clean up damaged squares and moving debris)

9. Barrel (removing water and magma)

10. Biological Eraser (Remove All Life)

11. Demolition of tools (destruction of buildings, roads, volcanoes, etc.)

Second, civilization

1. Humans: They can build villages and empires, and they will collect all kinds of resources and develop themselves.

2. Elves (they prefer trees to orcs, and they are good at bows and arrows): They will also build villages and empires.

3. Orcs (they are cruel by nature and don’t like humans): villages and empires will also be established.

4. Dwarves (they prefer mountains to elves): villages and empires will also be established.

There will be wars between empires, and they will invade each other’s countries and destroy each other’s plundering resources.

Third, creatures, monsters and animals

1. Sheep, rabbits, chickens, cats, penguins, crabs, cows, turtles, rats, wolves, bears, insects and fish (these are ordinary creatures).

2. Ice devil (an evil creature that will bring ice to the surrounding land)

3. Demons (evil creatures that will bring fire to the surrounding land)

4. Thieves (like playing with fire and bombs, evil creatures)

5. Snowman (will bring snow to the surrounding land, attack the enemy will freeze the enemy, evil creature)

6. Evil mage (fire magic, enemies with white mage, evil creatures)

7. White mage (ice magic, magic with shield transmission, freezing, opposing evil mage, neutral creature)

8. Druids (neutral creatures)

9. Epidemic doctor (neutral organism)

10. necromancer (can summon skeletons, evil creatures) Ps: You can build your undead army.

11. Zombies (can infect other races, except necromancers, evil creatures) Ps: You can create a zombie army by releasing zombies to infect other creatures.

12. Santa Claus

13.UFO (will look for creatures to attack)

14. Angels (peaceful healing creatures, neutral creatures) Ps: Not that kind of angels, but elves.

15. The dragon (flame dragon) will attack any creature and release its breath. The monomer is the strongest, but it is easy to be beaten to death.

16. Special insects (different insects can make all kinds of terrain)

IV. Nature and Disaster

1. Temperature (change the temperature in the area)

2. Lightning (chopping trees will burn) Ps: You can experience the feeling of being a Raytheon.

3. Earthquake (will destroy the terrain)

4. Invisible force (excluding all living things) Ps: God Luo Tianzheng!

5.tornado (sweeping everything on the road)

6. Rain (let the land be covered with lawns and vegetation and put out the flames)

7. Fire (burning everything)

8. Lava

9. seeds, fruit bushes

10. Stone, gold, ore

11. Fountain, acid fountain, volcano

12. Rain clouds, acid rain, lava and snow clouds

V. Destroy

1. Explosives, mines, time bombs, mines, fireworks, grenades, bombs, napalm.

2. Nuclear bomb (force for peace)

3. Antimatter bomb (making black holes and devouring everything)

4. tsar bomba (Destroying the World)

5. Meteorite (power from outer space)

6. Hot rays (lava everywhere)

7. Coin (randomly eliminating half of the creatures) Ps: With it, you are Thanos (∩ _) with infinite gloves ? ? Become goo.

VI. Others

1. Blood Rain (therapeutic organism)

2. Anger (making creatures attack each other)

3. Blessing, curse, holy light, plague (strengthening and weakening, removing diseases, diseases)

4. Zombie infection (infecting other creatures into zombies)

5. Spores

6. Protective shield (used to protect living things)

7. Coffee (Acceleration)

8. Tumor creatures (land grows, devours everything, can make small soldiers, and are afraid of flames)

9. Grey sticky objects (destroy all targets)

10. Crab Sla (huge creature, you control the direction and attack)

11. Golden brain (no one can stop creatures who like brains from attacking, except ice demons, demons and zombies)

12. The brain of corruption (controlling creatures to attack each other)

13. Fire tower, ice tower (generating demons and ice demons)

These are my introductions to the game. This is a good game, which can satisfy your idea of creating the world. I hope you can enjoy it.