Original Zhao Lusi hit the shirt and white deer! Eight groups of costume goddesses used the same stylist, Liu Shishi Classic, but Yang Mi & Reba was ugly.

Zhao Lusi took over the costume drama "Shen Yin" to cooperate with Wang Anyu after "Brilliant Star Han" became a hit. Recently, the drama also started shooting in a low-key manner. However, some netizens pointed out that Zhao Lusi and Bailu were playing the role of collision in "Long Moon Blooming"! belowEight groups of costume goddesses use the same stylist!Esther Yu’s "Canglan Ji" is as beautiful as YCY’s "Lucky at Seven"; Tian Xiwei’s "Qing Qing Daily" also hit the shirt. Liu Shishi’s treading on thin ice has become a classic, but swords of legends has greatly reduced the beauty of Yang Mi and Dilraba!

Goddess of costume drama uses "the same stylist" 1: Zhao Lusi’s "Shen Yin" vs. White Deer’s "Long Moon Blooming"

Zhao Ruth took over Wang Anyu, the partner of the costume drama "Shen Yin", after the popularity of "Brilliant Star Han". Recently, this drama has also started shooting in a low-key manner! Zhao Lusi is still sweet this time, and the new style exposed a few days ago is very suitable for her and has won a lot of praise. However, some netizens pointed out that the new style of Zhao Lusi’s "Shen Yin" is very similar to that of White Deer in "Long Moon Blooming"! Both of them have long hair and double bun, and both of them are decorated with blue beads.

Not only Zhao Lusi and Bailu, but also YCY and kiku had similar shapes before, and they were also said by netizens that they all looked alike, but the basic styles were very similar.

In fact, the costume modeling of the two plays "Hidden in the Gods" and "Long Moon Blooming" were both created by Huang Wei. Huang Wei is a very popular styling director in recent years. Her previous Dream of China Record has been searched for numerous times because of its beautiful styling. The styling of White Deer’s "Life as usual" and Zhao Liying’s "Biography of Chu Qiao" also came from her hands. After all, they are made by the same person, which will inevitably be very similar, but both of them are very sweet and beautiful!

Goddess of costume drama uses "the same stylist" 2: Zhao Lusi’s Splendid Star Han vs. Ruby Lin’s Beauty’s Calculation.

The stylist of "Brilliant Stars" and "Beauty’s Calculation" are the same! Although "Splendid Star" is an overhead historical story, it can be seen from the costume design that the play borrowed the background of the Han Dynasty, and "Beauty’s Calculation" is also a story of the Han Dynasty, and the hairstyles of the two plays are similar.

However, after the broadcast of "Brilliant Star Han", the actress’s modeling was said by many netizens to be very stereotyped and a little old-fashioned. For example, the modeling of Zhao Lusi’s past plays such as Chen Qian in Rumors can highlight her youthful vigor. Some people think that Zhao Lusi and others in Splendid Star Han hold the modeling entirely by their own values. Some netizens also pointed out that old dramas such as "Beauty’s Calculation" will be matched with all kinds of accessories, and they will change according to the character’s status, thinking that the makeup of old dramas is more impressive.

The Goddess of Costume Drama uses "the same stylist" 3: Esther Yu’s "Cang Lan Ji" vs. YCY’s "Lucky at Seven o’clock"

This year, Esther Yu became popular with "Freesia Tactics", and many viewers praised Esther Yu’s style in the play as really beautiful, and it will change with the protagonist’s environment. For example, when the little orchid was first in the water, as a fairy, the little orchid was almost a fluttering veil, and the color scheme was mainly light and pink, which was in line with the fairy’s design. When it comes to the world, it has become the style of "the flower of wealth on earth", which is very bright.

Yi Xiaoya was the stylist of Freesia, and she was later responsible for the modeling of Yang Mi’s Fox Demon Little Matchmaker and YCY’s Seven Seasons Lucky. Yang Mi in "The Fox Demon Little Matchmaker" is mainly dark red, and even the eyebrows have red makeup spots, which looks enchanting and beautiful, and really feels like a fox demon. And "Lucky at Seven o’clock" YCY plays a fairy. At present, several groups of shapes exposed are very fairy! Different from the little orchid in Freesia, Yang transcends these sets, which not only highlights the sense of cuteness, but also is a bit dreamy, which suits her very well.

The Goddess of Costume Drama uses "the same stylist" 4: Tian Xiwei’s "Qing Qing Daily" vs Zoey’s "Creation Time"

The Daily Life of Qing Qing starring Bai Jingting and Tian Xiwei is also the same stylist as the Artificial Time starring JeremyJones and Zoey. "Artificial Time" hasn’t been aired yet, but in the stills released earlier, Zoey has a set of styles that are exactly the same as Tian Xiwei’s in "Qing Qing Daily", which was also pulled out by netizens for comparison!

Not only this one, but the whole drama of "Making Time" looks like "Qing Qing Daily"! The shooting time of the two plays is almost the same, but "Making Time" is a little earlier than "Qing Qing Daily", but it feels like the same suit is used directly!

Goddess of costume drama uses "the same stylist" 5: Yang Mi’s "to the sky kingdom" vs. NiNi’s "Chen Xiyuan"

When "Chen Xi Yuan" was first broadcast, "NiNi’s ancient costume hit the shirt" was on the hot search. The two plays are not only the same theme of Xian Xia, but also many netizens said that Yang Mi’s "to the sky kingdom" is reflected in the dubbing, costume and modeling of Chen Xiyuan. In fact, the shapes of the two plays were both written by Zhang Shuping, so it is no wonder that they look very similar.

Zhang Shuping is a stylist for many ancient costume dramas, and he has won numerous awards. However, in recent years, his styles are often criticized for being ugly, and he also likes to comb the protagonist’s hair flat. For example, Liu Shishi in Drunkenness and Dilraba in Fire have all been killed by him. The original beautiful goddess of ancient costume has no dust at all after her hair is combed flat. Although the hairstyle evaluation is bipolar, the costumes of these dramas are pretty good-looking, and the details are exquisite. After "Peach Blossom in Ten Miles" became popular, many Xianxia dramas followed suit and became popular with this kind of gauze skirt.

Goddess of costume drama uses the same stylist 6: Liu Shishi’s treading on thin ice vs Yang Mi’s swords of legends.

Do you know that treading on thin ice and swords of legends are the same stylist? Both plays are the works of Shirley Chan, a well-known styling director in Hong Kong. Many of his styles are classic, such as treading on thin ice and Legend of the Sword and the Chivalrous Man 1, which amplify the advantages of Liu Shishi, Liu Yifei and other ancient costume beauties, and he also made Under the Golden Clothes a few years ago. Ren Jialun, the hero, is more changeable than Seven, and each set is handsome enough to burst.

Swords of legends belongs to Shirley Chan’s works with low evaluation. Because it is a game adaptation, the drama version restores the image of the novel to the greatest extent, but it was also rejected and ugly at first. The modeling of the drama version is all purple, yellow and pink with super high saturation. At that time, it looked very cheap when it was spat by many audiences. Yang Mi is obviously a beauty in ancient costume!

In the play, Dilraba also left an ultra-thick Liuhai. This is the game image of this role. It can be seen that the crew should want to restore the appearance of the game, but Dilraba is really not suitable for this style. At the beginning, many viewers didn’t get the beauty of Dilraba when watching swords of legends. It was not until Reba appeared in fashion outside the play that everyone was surprised to find that she was a super beauty!

Goddess of costume drama uses "the same stylist" 7: Dilraba’s "Meeting with Jun Chu" vs. kiku’s "Yunxi Biography"

Dilraba’s "Meeting with Jun Chu" and kiku’s "Biography of Yunxi" are also the same stylist, and some of their styles are also said to be very similar by netizens, but the stylist is not lazy. For example, "Meeting Jun Chu" has the setting of the male host Jiao Ren, and it is quite intentional to make detailed design on Reba’s wedding dress. The shapes of both of them are highly praised. Dilraba is glamorous, and kiku is small and smart. Both of them are beautiful!

Goddess of costume drama uses "the same stylist" 8: Wu Jinyan’s Story of Yanxi Palace vs Guan Xiaotong’s Phoenix Prison Phoenix.

Song Xiaotao, a styling director from Hong Kong, is a long-term partner of Zheng Zheng, and the well-received costume styling of Story of Yanxi Palace and Hairy Butterflies is from her hands. However, she has also made some impressive "fantastic shapes", such as Phoenix Prison Phoenix, Legend of Lu Zhen and so on. They are all serious dramas, and they are really ugly classics.

It’s hard to imagine how the difference can be so big when it is clearly from the same person! The overall texture of "Story of Yanxi Palace" is very good, the costumes are antique, and there are many ingenious changes. Each set of Qing Palace costumes in the play is very suitable for Wu Jinyan. However, "Phoenix Prison Phoenix" was originally written by Guan Xiaotong with an oversized bun, but it was also called "sewing machine" by netizens, and even Zhao Lusi, Bai Lu and others failed to escape, with a considerable gap.

Editor in charge:

Lost in Russia made an ending song of 170 kg, and Xú Zhēng was exposed to Huang Ma running for ten kilometers.

 

1905 movie network news On January 28th, the new film directed by Xú Zhēng released the ending song "Red Berry Flowers Bloom" MV, which was composed and produced by the young singer Mao Nan, composed by Lost in Russia and violinist Peng Fei, and adapted from the Russian classic song of the same name. Since the launch of audio, songs have occupied the list of new songs on major music platforms, and they have won praises from listeners and fans. This film exposure MV records the behind-the-scenes warmth story in the form of numbers, and the sincerity and intention of the whole crew can be seen at a glance, which coincides with Mao’s simple and warm singing.

A few days ago, the movie Lost in Russia was broadcast online for free on January 25th. Many viewers said, "For the first time, my family sat together to watch the Spring Festival movie. After watching it, my father and I gave my mother a hug." In addition, the film also harvested keywords such as "crying and laughing", "warm heart and healing", "fireworks" and "family building".

Lost in Russia stills-Xú Zhēng hugs Huang Mama.

The film Lost in Russia is directed and starred by Xú Zhēng, starring Huang Meiying, starring Yolanda, starring Jia Bing and Guo Jingfei, and starring Shen Teng and Olivia. As a series of new works of "Embarrassment" brought by director Xú Zhēng for four years, Lost in Russia’s characters, stories and production have been upgraded in an all-round way, which is a new way; Similarly, Lost in Russia also sent warmth to the whole family and completed a reunion in a special period.

 

Mao is not easy to sing Lost in Russia’s ending song.

The MV of "Red Berry Flowers Bloom" presents behind-the-scenes shooting. 

Lost in Russia created and dedicated the "first shooting experience"

Lost in Russia’s ending song "Red Berry Flowers Bloom", which was sung by young singer Mao Nan, was adapted from a Russian classic song of the same name. Peng Fei, a composer and violinist from Lost in Russia, arranged and produced it, which was tailor-made for the film and intended to send warmth to the people of the whole country during the Spring Festival. MV recorded the moving shooting details behind the scenes of the film through a set of data, and counted many "firsts" of the main creators.

The 48-year-old director Xú Zhēng set foot on Lake Baikal at MINUS 37 degrees for the first time. The 170-pound director ran for nearly 10 kilometers on the frozen lake with his 90-pound mother Huang on his back. The 70-year-old mother Huang tried to climb a tree for the first time in the forest of Siberia, Russia, and completed the "first show of action" in her life. At the same time, at the end of the film, "Embarrassing Mom" Lu Xiaohua boarded the stage of the Red Star Grand Theatre to sing "Red Berry Flowers Bloom", which was the first time that Huang Meiying stood on such a big stage to sing. After the performance, Mom Huang shed excited tears; Yuan Quan crossed the road 27 times in Manhattan, new york for the first time; Lost in Russia producer Tao Hong appeared on the set to help the mothers rehearse the last performance … … Just to create a natural and true trip to Russia with full details. It is worth mentioning that the harmony directed by Xú Zhēng is also added to the singing part of the ending song "Red Berry Flowers Bloom", which is quite ingenious and can not help but make people feel the crew’s insight into life and sincerity in creation.

Lost in Russia stills-Huang Meiying sings at the Red Star Grand Theatre.

Lost in Russia told the story that Xu Yiwan was caught in a family crisis and commercial disputes, but accidentally got on the train to Russia with his mother. The film’s creativity seems to be small, but it has evolved into a complex and huge production that spans a variety of landforms and is completed under various scenic wonders. Not only in the original starting point of K3 train, Beijing Railway Station, but also through Moscow, St. Petersburg, Irkutsk and other places, the mysterious and beautiful scenery of Russia is fully displayed.

Lost in Russia stills-Yolanda plays Zhang Lu.

It is reported that there are 1023 visual effects shots in the whole film, and 15 companies from all over the world have participated in the production since the pre-preview, including China, the United States, Russia, Australia, Serbia, Sweden, Denmark, India and Malaysia. Director Xú Zhēng and his mother Huang filmed 35 days and nights in the 1:1 restored carriage. In order to enrich the presentation of the space environment in the carriage, we should simulate the train movement and make the light outside the window "fake". Among them, the thrilling scene of "Bear Mouth Saving Mom" was filmed in the 409th edition, which is also the highest shot in the whole film. Xú Zhēng revealed: "The final result is that our film has become a special effects blockbuster, and even 90% of the shots have special effects." With the efficient behind-the-scenes team coordinating the production of different elements such as scenery and machinery, the film finally presents a romantic and open visual effect.

 

Lost in Russia stills-Guo Jingfei plays Guo Tie.

Love, affection and self-growth in an all-round way 

Xú Zhēng returns to classic comedy to cure family.

"Very resonant, Lost in Russia is my daily life with my mother!" "All the acting skills are online, life is artistic, love and affection go hand in hand, keep pace with the times, and don’t be conventional." Short comments such as the above are the epitome of the audience’s feedback on movies since Lost in Russia went online. In addition, many film critics have expressed their views one after another: "The road has been blocked for ten years, and the fireworks are much warmer. Solving the dilemma of getting along with people all the way is the change and growth of this brand." During the journey, the two sides gradually sought a better way for mother and son to get along with each other through understanding and running-in. Love creates embarrassment. But love is the essence. Xú Zhēng said frankly: "I hope that Lost in Russia can bring you a little warmth and let the audience sort out their emotions. Love is a kind of acceptance and respect. When I watch this movie with my family during the Spring Festival, everyone has a topic to discuss and the interaction can be started. "

Lost in Russia stills-Jia Bing plays Jia Jianguo.

In a special period, Lost in Russia devoted himself to sending warmth to the China family and fulfilling the wish of reunion. Xú Zhēng explained: "People in China always want to go home during the Spring Festival. However, there are not so many movies that young people can really go to see with their families. I hope that after watching this movie, everyone can have a discussion to see what the people in the movie are like and what our lives are like. " On the reunion day of the Spring Festival, watching Lost in Russia together with the whole family will not only bring joy, but also bring the family closer together. As Xú Zhēng’s creation pointed out: "This film is not only a gift for all mothers in the world, but also a gift for everyone."

HarmonyOS Zhixing brought the whole family to the scene, enjoying the world S9 and asking the new world M5 as the focus.

On April 25th, 2024, the 18th beijing international automotive exhibition was grandly opened, and HarmonyOS Intelligent Mobility Alliance made a stunning appearance with a brand-new family lineup, among which the new members and the new M5 became the focus of the audience.

As a masterpiece of Huawei in the field of smart cars, HarmonyOS Zhixing has always been committed to injecting new vitality into the automobile market through innovative technology. In this exhibition, HarmonyOS Zhixing not only brought three brand-new brands, namely STELATO Enjoying World, AITO Enjoying World and LUXEED Intelligent World, but also led by two new cars, Enjoying World S9 and Enjoying World New M5, demonstrating its strong strength in the field of smart cars.

The new model appeared on the booth, and the highlights were numerous.

As the first executive luxury flagship car owned by HarmonyOS Zhixing, Enjoy World S9’s design concept originates from Huawei’s aesthetic principle of "extreme, pure and simple". The body lines are smooth and elegant, and the front face inherits the family-owned iconic integrated design. When the Xinghe headlights are lit, they present a dazzling starry visual effect, which is unforgettable at first sight. At the same time, Enjoy World S9 also adopts full-stack Huawei intelligent technology to reshape luxury cars in the new era with wisdom and bring users the ultimate experience.

The new M5 in Wenjie is a model for positioning a high-value urban performance SUV. The whole system comes standard with HUAWEI ADS 2.0 high-order intelligent driving system, and the forward, lateral and backward omni-directional anti-collision systems are upgraded, which is the first smart car with a younger image and is more suitable for young people. In addition, the new M5 in Wenjie has also launched a more sporty and younger version of R[1]S, with a brand-new black obsidian logo design and black obsidian sports wheels, combined with a brand-new color scheme of Metropolitan Red and Tahiti Grey, to further meet the personalized car purchase needs of young consumers.

The main models build an "all-star" product matrix, and the appearance is the show.

In addition to these two new cars, HarmonyOS Zhixing also brought new M7 models from Japan, Japan and China, forming a powerful "All-Star" product matrix.

The M9, which integrates Huawei’s top ten black technologies, has led the industry in intelligent configuration for more than one generation. It is reported that this model, with its excellent product hard strength, has exceeded 70,000 vehicles in three months since it was launched, and its recent weekly sales have ranked first in China for luxury models with a price of over 500,000 yuan. The "Double 9" flagship combination composed of Wenjie M9 and Xiangjie S9 will further enhance HarmonyOS Zhixing’s leading position in the high-end automobile market.

Let’s look at the new M7, which is a phenomenal explosion of the family. It is positioned as a 250,000-class luxury and intelligent large SUV. The new M7 combines great wisdom, large space and super safety, with a total of nearly 180,000 vehicles in half a year, ranking first among the new high-end models in the China market in the first quarter of 2024. At present, the car has launched a limited-time car purchase right with a maximum value of 42,000 yuan.

As the first smart car in HarmonyOS Zhixing, Zhijie S7 meets the diverse needs of young people with superhuman wisdom, leapfrog performance, all-round space and efficient form. These models not only show the overall layout of HarmonyOS Zhixing in the field of smart cars, but also reflect its outstanding strength in technology, design and quality.

The level of sales is the best display of product strength. It is reported that as of April 22nd, 2024, HarmonyOS Zhixing family car has sold 105,000 vehicles, ranking first among the new forces in China market. Behind this achievement, it is inseparable from Huawei’s technical accumulation in the ICT field for more than 30 years, and the perfect combination of excellent experience in quality control, sales service and brand marketing accumulated by Huawei terminals in consumer business for more than 10 years. Based on this, HarmonyOS Zhixing has successfully built a leading smart car solution to help its partners achieve commercial success.

Generally speaking, HarmonyOS Zhixing’s performance at the Beijing Auto Show is amazing, and the appearance of the new member, Enjoy World S9 and Ask World M5, makes people look forward to its future. We have reason to believe that under the guidance of HarmonyOS Zhixing, China automobile brand will continue to go up and move towards a more brilliant future.

The appearance is very atmospheric! 193,900 can start

There are a lot of options for gasoline cars now, as we said today. Now let’s follow the editor to see what its performance is.

First of all, from the appearance point of view, the front face design of Xingtu Lanyue looks very round and cute, with a hexagonal air intake grille, very sporty atmosphere. The headlights are simple and the shape is very fashionable and dynamic. The car is equipped with LED daytime running lights, front fog lights, automatic opening and closing, adaptive far and near light, delayed closing, etc. To the side of the car, the body size of the car is 4970MM*1940MM*1792MM, the car adopts soft lines, the side looks very angular, with large-sized thick-walled tires, smooth lines run through the entire side of the car. In terms of the rear, the overall shape of Xingtu Lanyue’s rear echoes the front of the car, the tail lights look very clean and refreshing, and the exhaust pipe layout uses a bilateral single-out shape, which is generally relatively full.

In terms of interior, the front face of Xingtu Lanyue looks very streamlined, and the visual effect is very good. The steering wheel of the car is very dignified, equipped with functions such as manual up and down + front and rear adjustment of the steering wheel, steering wheel heating, etc., and the feel is good. Take a look at the central control, with a 15.6-inch touch LCD central control screen, which makes the interior design quite layered and gives people a deep feeling. The dashboard and seats are also eye-catching. The dashboard of the car presents a clean design style and is full of technology. The car adopts leather seats, which are wide and thick, and the overall comfort and wrapping are not bad.

Xingtu Lanyue matches the automatic manual (AT) gearbox, with a maximum power of 192KW and a maximum torque of 400N.m, resulting in good power performance.

The car is equipped with vehicle to everything, driving mode selection, remote control key, rear wipers, interior ambient lights and other configurations, fully ensuring the convenience and comfort of the car experience.

To sum up, we have already introduced this car to you, and I believe that many car buyers value its comfort and practicality.

Force high-end pure electric market, Hongqi EH 7.2298 million yuan for sale

China Economic News Network (Liu Chenxi)On March 20, the first model of Hongqi New Energy, Hongqi EH7, a sub-brand of FAW Hongqi, was officially launched. The new car launched a total of 5 models, with a price range of 229,800 yuan – 309,800 yuan. The pricing from 229,800 yuan is to redefine the high-end pure electricity market and convey brand sincerity to the consumer market.

 

    As the first model of the Hongqi new energy brand, the Hongqi EH7 follows the design concept of concept sculpture in terms of body shape; in terms of interior, the Hongqi EH7 adheres to the natural and flexible design concept to create a three-dimensional staggered space layout; in terms of body size, the length, width and height of the Hongqi EH7 are 4982mm, 1914mm and 1490mm respectively, and the 3000mm ultra-long wheelbase provides more rear space. Whether it is front or rear space, it is very abundant and can fully meet the needs of family cars.

The Hongqi EH7 seat adopts a four-layer structure of foam + soft foam + skin soft foam + skin, with a slow rebound sponge laid out in the core of the seat cushion (20mm) and the core of the backrest (15mm), and a 100mm slow rebound sponge in the front row, providing just the right support and wrapping feeling, making it very comfortable to ride. After the occupant is seated, the steering wheel and seat intelligence can be set according to the account memory, and the automatic retraction and return will bring convenient comfort and exclusive experience to the driver and passenger.

In terms of intelligence, Hongqi EH7 is equipped with a Qualcomm Snapdragon 8155 chip. The function of Consonance Voice Interaction 2.0 is very powerful, equipped with OurHours wake-up-free function, supports 20-second continuous conversation and voice and gesture combination. The main and co-pilot dual-tone areas are wake-free, 20s continuous conversation, millisecond-level response (800ms); using iFLYTEK’s latest Smart TTS, through deep learning technology, clear, natural and emotional Text To Speech effects can be realized, supporting 8 major driving scenarios (audio, navigation, phone, vehicle control, system settings, weather, chat, video), covering 83 vehicle control functions, and can support interactive voice such as interests, knowledge interaction, and emotional feedback.

Hongqi EH7 has single-motor version and dual-motor version models. Among them, the single-motor version will be equipped with a motor with a maximum power of 253kW and a maximum torque of 450N · m; the dual-motor four-wheel drive version will be equipped with a dual-motor system with a maximum power of 202kW and 253kW. The maximum power of this power system is 455kW and the maximum torque is 756N · m. The acceleration time of 0-100km/h is only 03.5s. 100km/h to zero braking distance is 35.3m.

In addition, Hongqi EH7 adopts intelligent discharge technology, with an external discharge power of 3kw, and the car is also a "mobile power supply". When camping outdoors, you can discharge outside the car with a discharge gun, have a picnic, sing K, and watch the projection to create fun for traveling.

Wu Mengda has cancer! After surgery, he is unable to speak, so he can only wave and make gestures

1905 movie network news On February 22, an interview revealed his illness further. He said that Wu Mengda found out that he had liver cancer before the Lunar New Year, and the cancer cells had begun to spread. Recently, he completed surgery, but his body was very weak and he didn’t even have the strength to speak.


According to the Hong Kong media "Ming Pao Weekly" report, Tian Qiwen officially Wu Mengda was diagnosed with liver cancer at the end of last year, but would not disclose the current stage. Wu Mengda first went to Macau for medical treatment, and then returned to Hong Kong. Now he has completed surgery and started chemotherapy, but after chemotherapy, he is weak and unable to speak. He can only respond with gestures such as waving his hand, which makes Tian Qiwen reluctant: "I didn’t go to the hospital to see a doctor. I am afraid that I am too emotional and do not want to disturb him."


In fact, when Wu Mengda was shooting a promotional poster for the movie last year, he suffered a sudden heart attack, almost standing unsteady in front of the camera and showing a painful expression. Tian Qiwen revealed that Wu Mengda did not know that there was a problem with his body at that time. Later, he went to the hospital for a checkup and found out that he had liver cancer. Now he has suspended all work schedules, focusing on his health first, and his wife and children are by his side to take care of him.


The 68-year-old, who is said to have had three marriages and five children, had quietly drawn up a will in case something suddenly happened in the future, according to Wu Mengda himself.


Chen He will come again to "Can’t Forget the Restaurant" to make fun of the elderly with laughter

  The second season of "I Can’t Forget the Restaurant" went LIVE warmly last week. After a challenging first day of business, the restaurant life of "I Can’t Forget the Family" is gradually on the right track, with orderly work, warm interaction with guests, and tacit understanding. In addition, this issue of "I Can’t Forget the Restaurant" welcomed its first guest. Actor Chen He incarnated as "funny responsibility" not only brought laughter and laughter to the restaurant, but also helped the restaurant increase its turnover with its super "delivery power".

  Chen He can't forget the restaurant again, funny and amusing, healing the elderly with laughter

  Chen He can't forget the restaurant again, funny and amusing, healing the elderly with laughter

  Chen He can't forget the restaurant again, funny and amusing, healing the elderly with laughter

  Chen He can’t beat the food temptation of "I Can’t Forget the Restaurant", and the entertainer pays the "sky-high bill"

  On the second day of the restaurant’s opening, a special guest was ushered in – "Funny Responsibility" actor Chen He, who was pleasantly surprised to return. He never expected to escape the "Devil Pepper" this season, but he still couldn’t escape the "routine" of the store manager group.

  Chen He, who returned to the restaurant, was angry about the position of "store manager" and "guided the work" decently, but he was ignored by the "can’t forget the family" collective. For the foodie Chen He, the most worth looking forward to in the restaurant is of course the "staff meal", and he started asking early if the menu was upgraded. This season, the restaurant’s menu has been fully upgraded due to the efforts of the chef team. In addition to the return of the highly praised abalone braised pork last season, Chef Wang’s new dish, hairy crab rice cake, also amazed the audience.

  As the "funny responsibility" of last season, Chen He also showed his super atmosphere adjustment ability in this issue. In order to "relieve boredom" for the restaurant’s guests, the store manager Huang Bo suggested that Chen He cooperate with "trumpeter" Grandpa Park to perform a show for everyone.

  This is not an ordinary song and dance performance. In order to prank Chen Hehuang, the store manager came up with a trick of "separation of song and dance", so that Chen He could not hear Grandpa Park backing track. Chen He’s incarnation in the dark "can’t forget the mermaid" caused the guests present to laugh. In the laughter, the food also became more delicious, full of "unforgettable" memories.

Chen He can't forget the restaurant again, funny and amusing, healing the elderly with laughter

  Chen He can't forget the restaurant again, funny and amusing, healing the elderly with laughter

  When I met a young patient with Alzheimer’s disease, I couldn’t forget that my family was moved to tears

  As the workflow became more familiar and the "Unforgettable Family" workplace life became better, "Grandma Dimple" ran into a young Alzheimer’s patient, Hu Junjie, while serving. To comfort the guest, "Grandma Dimple" recounted her experience and encouraged her to smile at life.

  Although Hu Junjie’s husband regretted not coming to the restaurant together this time, he still brought a lot of emotion to the restaurant with a sincere handwritten long letter. In the letter, he recounted the ups and downs he and his wife had experienced together and his lifelong commitment to his wife, which moved everyone to tears.

  In order to leave more beautiful memories for Hu Junjie’s "Can’t Forget Restaurant" trip, the Can’t Forget Family and Hu Junjie sang "Women’s Flowers" together. When the familiar melody sounded, the nervous Hu Junjie gradually became brave, "Women are like flowers like dreams", and the melodious singing floated in the restaurant, conveying love and courage.

  As a public welfare variety show, the second season of "Can’t Forget the Restaurant" has its own sense of mission, and it also brings a touch of courage and hope to those who are trapped in the quagmire, while dispelling social stereotypes of people with cognitive disabilities and diseases.

  Although it is only the second day of business, grandparents and the store manager group have become more and more familiar, and the restaurant has gradually entered the right track, with laughter. What surprises will there be in the future, please lock in the Tencent video "Can’t Forget the Restaurant" every Tuesday at 20:00 to unlock the new season of warmth.

The fate of Hu Ge and Yang Mi can’t go back

01

Can anyone imagine

The broadcast of a "Legend of Immortals and Swords 3"

Created five top-notch actors

Hu Ge, Yang Mi, Liu Shishi, Tang Yan, Huo Jianhua

These battles are now absolutely unimaginable

However, in 2009’s "Legend of the Sword 3"

And they showed up, as they had promised.

Later in the film and television series, the scene of two and three is very common

However, there was a couple who never worked together again

Here they are.

Hu Ge and Yang Mi

A lot of people feel a lot when they watch this drama

Piggy – Sedum’s nickname for Yukimi

Nakaya, the nickname for Sedum.

The two are very sweet in the play

But there is no sweetness outside the play

I think there are only regrets left to stay

Are the two really at odds with each other?

Not necessarily.

The two talked about each other, but they both said the same thing

Hu Ge describes it this way:

"Me and her are as good as they should be."

Yang Mi also said:

"We are very, very good friends."

However, the two did not cooperate again for the next thirteen years

Not to mention cooperation, but there are very few times in the same frame.

Once on the stage of the Golden Rooster Awards

The five protagonists of "Legend of Immortals and Swords 3" are all there

It looks like a re-union of five people

But it’s actually the regret of two people

Huo Jianhua, Liu Shishi, Yuan Hong are all in the front row

But Yang Mi sat alone in the back row

When Hu Ge was teased for "never being married," he said: "All three of them are already parents."

But for Yang Mi, he passed by

Missed or regretted

Different boxes, less contact

It seems that both of them have become silent

Hu Ge, Liu Shishi, Tang Yan

You can joke with him, make fun of each other

Yang Mi can also be sweet with Huo Jianhua

You can even take pictures with Tang Yan and Liu Shishi

However, when they met each other, they became so familiar and unfamiliar again

It’s like avoiding suspicion, and it’s like avoiding

I don’t know if the two are a lost love or a true friendship

But friendship is so strange

Love is so familiar

02

Back to before 2009

Their ignorant love unfolds slowly

At that time, Hu Ge was 23 and Yang Mi was 19

In the time of youth

"Strange Tales from Liaozhai"

Hu Ge plays a "scholar"

And Yang Mi, who just graduated from high school, plays a "demon"

Flirty, charming

But it seems out of place with Yang Mi

She is only 19 years old, the beautiful years of her youth

Pure and cute personality

But it made it difficult for Yang Mi

At this time, Hu Ge came, he was like a beacon in the darkness

Illuminated Yang Mi’s journey in his previous life

He taught her how to flatter and seduce

Teach her seductive tricks

This teaching lasts five years

At the press conference, Yang Mi said to the screen, Thank you for your help and praise him for being my good brother.

In this regard, Hu Ge joked:

Alas? Who is the person who dislikes me on the set?

The two seemed to have agreed in advance, creating such sweetness

During the filming, the two were so sweet

During a filming, Huo Jianhua just finished his lines: After the Earth Spirit Pearl, everyone on the set laughed

Yang Mi looked at Hu Ge for the first time and hit him jokingly

Anyone with a clear eye can see that the relationship between the two is not ordinary

Before friends, lovers are not full

To describe the two of them best

During that time, as long as there was Hu Ge, even the air was sweet

Weibo was their Moments

Following their lead

The feeling after reading the book

Stomach ache response

The tacit understanding of each other and the proximity of time make everything so beautiful

But as time goes by

The words shouted in the air have changed

Sour, astringent, bitter, sad, regret intertwined

03

Yang Mi posted a Weibo one day.

It says:

How much love can be fooled around

"Hu Lai" is indeed Hu Ge’s Hu, not Hu Lai’s "Hu"

After that, Yang Mi was no longer full of sweetness, followed by more emotion and sadness

A Weibo in 2011 is the last interactive Weibo.

Both of them are feeling emotional and sad

Yang Mi:

"My heart hurts, my body is tired, and I am tired, so I naturally put it down. I only have two hands, how much can I hold?"

Hu Ge responded:

"When we met, she said it was too late to meet, and when we parted, he said it was too early to love each other."

Hu Ge used it separately

"She" and "He"

And the implication was self-explanatory.

But more about letting go and regret

04

Later, Yang Mi met Liu Kaiwei and chose to be with him

The relationship was announced on January 8, and the marriage was also announced

January 8

It seems that Yang Mi is confused with January 8th

She is married.

He sent his blessing

Even if the media chased after Hu Ge, he only responded, but did not mention the word marriage

Because Hu Ge knows that some people have something in the past that is in the past

Yang Mi gives birth

Hu Ge posted:

When will uncle hug you and give you candy?

Call yourself uncle to Yang Mi’s children

But the other kids in "Legend of Immortals and Swords 3" are called uncles

Yu Shishi, Tang Yan claimed that he was

maiden family

What is it for Yang Mi?

I think it’s a missed opportunity

At a ceremony, there were many CCTV screens sitting in the audience.

There are also Hu Ge and Yang Mi

When the host asked about Hu Ge, Yang Mi avoided talking about it

Hu Ge’s lips were tight and his expression was melancholy

After the event, the reporter asked Yang Mi: Did you say hello when you saw Hu Ge just now?

He smiled and said, Of course, they are all good friends, why can’t we chat happily?

No matter how good the acting on stage is, it can’t fool everyone

Before and after contrast, too much to say

The self-proclaimed friendship is like a mess of sand

On December 22, 2018, Yang Mi officially broke up

At the first event after the breakup, Hu Ge also came

When Yang Mi bowed, Hu Ge also applauded from the audience

Although I can’t break all kinds of connections back then, I can’t return to the relationship at that time

A "national male god, handsome guy with temperament"

A "Traffic Muse, Topic Queen"

After many years, they will finally return to peace

Just like that line of intersection, no matter how far away they are, they will eventually intersect

In this regard, Yang Mi said: The past, yesterday, no matter how good or bad it is, it has nothing to do with me, it is all in the past.

And Hu Ge is still unmarried

In this small circle, going around but not returning to the origin

It’s just that everyone is moving in their own direction

We have met countless times, but we will never look back again

Sometimes fate is just God’s will

It’s just that we met the right person at the wrong time

However, looking back

We have everything, but not our past

[All works have been protected by copyright, and plagiarism and reprinting are strictly prohibited, otherwise legal consequences will be borne]

Responsible editor:

Domestic full listing, Huawei Ascend P7 officially launched

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Good journey! Wu Mengda: 100 years later, I hope the audience will still remember me


1905 movie network feature On February 27, 2021, he passed away due to liver cancer.

 

Wu Mengda, also known as "Da Ge" or "Da Shu", collaborated with Becoming a Golden Partner in a series of classic nonsensical comedies during the peak of Hong Kong cinema.

 

Wu Mengda’s acting skills are exquisite, and he has played the characters of uncles, brothers, fathers and other small people in the market. He is one of the few stars who became popular by acting in supporting roles, and he is also a screen memory of a generation. In the past 50 years, he has been nominated for the Best Supporting Actor Award at the Hong Kong Film Awards five times, and won the award in 1991.


 

In 2014, Wu Mengda was hospitalized for heart failure. After successful first aid, he lost 15 kilograms. After that, he took a break from the film industry for half a year to recuperate his body. At that time, his heart function had only recovered to 50%. He said that he had asked a lawyer to make a will. At the end of 2020, he suffered from liver cancer again, which had spread and had to be hospitalized for surgery and chemotherapy.

 

Wu Mengda loves acting and has continued to film with illness over the years. The most recent film he met with the audience was when he even suffered a heart attack while shooting a poster a year ago.



His grandfather, Han Ziang, is gentle and kind, especially in the scenes of sacrifice, which are tear-jerking and show acting skills that are different from comedy performances.

 

During the filming, due to the heavy physical load of wearing a space suit to lift the pressure, Wu Mengda once had to rely on oxygen to support himself. He praised the senior, "There is no script for the scene, because he memorized the dialogue of the other party." After the performance of "Wandering Earth", Wu Mengda also said: "It is worth leaving a page in the history of Chinese cinema."



His relationship with Stephen Chow has always been the focus of the news. Since the movie, they have not brokered a cooperation, and rumors of a rift between the two have been circulating in the outside world.


In recent years, Wu Mengda has clarified many times, and he also revealed that Zhou Xingchi had invited him to participate in the performance, but could not participate due to physical reasons. During his recent illness, Zhou Xingchi also took the initiative to call to inquire about his condition, saying that he was "ready to help at any time."

 

Wu Mengda also recently said on the program that as long as he is still alive and Xingye has not retired, they will have the opportunity to cooperate. Now, we can’t wait for this "best partner" to cooperate again.Even if there are regrets, fortunately, the classics are still there, and the memories are still there.



The following is an excerpt from an interview with Wu Mengda by 1905 Film Network in 2018. At that time, the film starring him would be screened. Facing the camera, Wu Mengda repeatedly expressed his love for acting:

 

"I can’t live without my acting, and I love acting very much. Many people ask me, I’m almost 70, why do you love acting? Although I was sick a few years ago and my heart was not good, I have been following movies and the development of Chinese movies. I really like being an actor. In fact, I can be a director or a backstage very early, but I just don’t want to go."



He said that the most satisfying roles he has played are the third uncle in "Gambling Saint", the father of Su Can in "Wuzhuangyuan Su Qier", Hai Dafu in "Lu Ding Ji" and Taibao in "Tianruoyou Love", and the biggest regret in life is not playing.


He also said that he was grateful to the audience for their willingness to feed him. Acting is the greatest meaning of his existence. He will not retire and will perform for another 50 years. And in 50 or 100 years, he still hopes that the audience can remember "Wu Mengda".Uncle Da, go well all the way! May you continue to perform and laugh in heaven.

"The mainland has a lot of room, and Hong Kong people can’t make deep comedies"

"Laughing Forest Kid 2: The New Oolong Courtyard"He once won 100 million Taiwan dollar box office like a whirlwind in Taiwan, breaking records and opening the era of fire in the video hall"Oolong Courtyard."A series of films.



"There were many Hong Kong dramas in Taiwan back then, and I was almost the one who broke the record," Wu Mengda recalled, "but the’Oolong Courtyard ‘I played with and acted in ranked first, higher than the one I worked with Zhou Xingchi!"

 

The next year, he and the "Oolong Court" team struck while the iron was hot and then pushed the sequel, which was a hit. Not only in Hong Kong, Macao and Taiwan, but also in Singapore, Malaysia, Thailand and other South East Asia regions, as long as the TV station aired, the audience ratings were very high.



More than 20 years later, the Chinese film landscape has changed dramatically, and going north to co-produce is the general trend. The "Oolongyuan" series has ushered in the third installment. In the face of the current market context, we must first face such questions: Is it selling feelings, is it frying cold rice?

 

Uncle Da explained it this way, "Although it is old wine in new bottles, every time, every movie must have its new creation and new classic." In his eyes, "movies are a huge dream factory, and it is fun to have constant creativity with the changes of the times."



He believes that there is no difference between Hong Kong comedy, Taiwanese comedy and mainland comedy, and the language of comedy is common all over the world. "The best thing about comedy is that it doesn’t even need dialogue, it may be just a look. For example, in an era without dialogue, it is performed by body language. This is the cutest and most precious aspect of comedy."

 

As an important member of the once glorious era of Hong Kong comedy, he also lamented in the face of the decline of Hong Kong films:

 

"Our Chinese mainland has a lot of space now, everything is more advanced than Hong Kong, and the production cost is also higher than Hong Kong. The whole market is thousands of times larger than Hong Kong, tens of thousands of times. Hong Kong is too small, and what we understand is limited to Hong Kong culture. The real history, the classical culture, in fact, we Hong Kong people are not very deep. So we have always emphasized that we are shooting commercial films, and those comedies and dramas with more depth cannot be shot by Hong Kong people."


"At the craziest time, I read a script 200 times"

In 1973, Wu Mengda applied for the Hong Kong TVB artist training class. The reason for applying for the exam was that he felt very handsome. Of course, his mother’s strong encouragement was also the main reason. After that, he andChow Yun Fat,Lin LingdongWait until you enter the training class to learn.

 

After graduation, Wu Mengda and Zhou Yun-fa worked together as extras. It was not until the TV series "The Legend of Chu Liuxiang" that he first tasted the popularity of "Hu Tiehua". On the contrary, Zhou Yun-fa, because of his height, could only continue to play tricks on the set.



Soon after his debut, Wu Mengda became a big hit, and during that period, he was completely bloated. He spent every day with his boss, and he described his life at that time as "gambling, smoking, alcohol, and women." The result of erosion was that he owed a lot of debt and was frozen by TVB for four years.

 

There was no drama to shoot, and when he was at his worst, he only had the money to buy a pack of cigarettes. He once thought of committing suicide. Even his junior brother criticized him at that time as "a piece of mud that can’t support the wall".After experiencing ups and downs, we must also usher in a change of heart.



Wu Mengda used this time to immerse himself in acting. He watched movies, read books, and studied scripts. After that, he finally turned around with "Sequel to Senior Brother Xinja".

 

He played the role of instructor and opposite actor in the TV series. According to him, there was a two-page play that he watched 200 times just to show the feeling that "the mouth is scolding him, but the eyes are hurting him" when he scolded Tony Leung in the play.



"200 times", Wu Mengda mentioned "200 times" many times.


"I’ve probably read every play, every dialogue, more than 50 times. In my craziest days, I’ve seen it 200 times. Why did I watch it for so long? Do I have a bad memory? No. Basically, I’ve watched it five or six times, and I can remember most of it, but I have to keep interpreting it from other angles, so I have to keep reading the script and keep giving it more vitality."



Now, he has developed a habit of reading the script carefully the night before filming, and not bringing the script to the scene on the day of filming. He said that when he was filming "New Oolong Academy", when he worked with Zhou Xingchi in the past, he was even more, "It’s not for the camera, it’s not for the plot, and it’s not for the dialogue. I just eat it all, and then see what can spark each other on the scene, play some fun with the opponent, play tricks on the object, and suddenly come, and the opponent can’t react."

 

The collaboration with Stephen Chow began with "He Came From the Jianghu" and "Hero of the World". At that time, they were father, son and mentor in the play, and they were neighbors who lived across the street outside the play. They were brothers who always discussed performances together in the car before going to the set.



"Gambling Saint" was their true starting point, and likewise, they also achieved "Gambling Saint".

 

In the movie, Wu Mengda was mistakenly beaten by Zhou Xingchi. He was wearing women’s clothes while foaming at the mouth and saying, "It’s alright", "Then let’s go". This funny scene is his temporary design. There is also the classic image of "Third Uncle". When Zhou Xingchi shouted "Third Uncle", he had a seizure like a convulsion, and his whole body trembled. This is not groundless, but his own performance style, and he also named it "Congenital Uncontrolled Disorder".



With improvisation and tacit cooperation, they have crossed the world in one song and one relaxation, becoming the most classic screen partner in Hong Kong film history.

 

In the eyes of the public, Wu Mengda may be the "little follower" next to Zhou Xingchi in the movie. Since the movie, he has hardly played the male lead. He doesn’t mind the light and heavy of the role at all, "I treat the protagonist and the supporting actor the same, and I will pay the same.

 

Some time ago, he made a cameo appearance in a big movie "Sir Wei", once again playing the role of Hai Gonggong. In the TV series "Xiaobao and Kangxi" and the movie "Lu Ding Ji", Wu Mengda has played Hai Dafu twice, both of which are funny and crazy. This time, he seems to be reinterpreting in the opposite direction of insidious and fierce.



"Comedy, farce, tragedy, drama, I’ve shot all kinds of scenes, what else can I do?" He said he didn’t want to do repetitions, but had no choice but to play too many roles. Even if it’s an old film, a new role, or a cameo, he believes there is still a lot of scope and room for better performances.


"I’m sorry I didn’t play" The Wrong Car "

And influence me the most "

Uncle Da was very honest, saying that he really couldn’t do without acting, and even when he was hospitalized and sick before, he was concerned about the movie and the set."I keep wanting to act, and I keep hoping to create, which will make me younger. Living in the film and television industry, there is a group of people who accompany you to play and chat every day, and respect you very much. This is the greatest pleasure in life, and it is also the job I like."

 

When it comes to the most satisfactory roles, he listed four: the third uncle in "Gambling Saint", the father of Su Can in "Wuzhuangyuan Su Qier", Hai Dafu in "Lu Ding Ji", and Taibao in "Tian Ruoyou Love".He has created a lot of classic comedy roles, but so far, it is this tragic little character in "Heaven Ruoyou" that has won him the only Hong Kong Film Awards for Best Supporting Actor.



Similarly, in this interview, we also found a Wu Mengda who is completely different from the stereotype of "comedian".

 

He said that the biggest regret in his life was not being in "The Wrong Ride," and that he wanted to play the sad, dumb dad so much. In his opinion, the performances of the movie version of Sun Yue and the TV version are great, but from the body language to the eye details, he believes that there is a different way of acting from them.

 

In 2006, in the variety show "Operation Style", he passed the addiction of "Riding the Wrong Car". But it was just a small segment of the show’s acting, and he had to get into the play and be absorbed. Although his easy-to-put acting skills were not realized in the "Riding the Wrong Car", they were in "Heaven Ruoyou Love", and later in the "Shaolin Football" football coach, more visible.



The movies that influenced him the most were not comedies, but "The Yellow Earth" and "Love and Dust". "I have seen these two more than 50 times, and there are videotapes. I watch them almost every day when I have time, and learn something from them."Two literary films, two literary films with the same sense of loneliness.

 


"If you don’t like it or worry about it, what do you sing?", he said that he will always remember this dialogue in "Yellow Land", "That tone is really lonely, very wandering, but it will hit your heart, the whole atmosphere is too painful."

 

And "Love the Wind and Dust", born in Xiamen, he may have aroused his memories and nostalgia for southern Fujian in the local atmosphere of this Taiwanese film.

 

I watched Uncle Da’s "congenital disorder" in comedy movies, but I forgot that he was so calm and peaceful in the audience, and even willing to embrace loneliness and loneliness.



"Stephen Chow’s golden partner", "the universal supporting actor of Hong Kong movies", and also described him as "a good actor who can act in big comedies and big tragedies, with real acting skills". Some people say that he is "Chinese".

 

"In 50 years, in 100 years, how do you want the audience to evaluate you?"At the end of the interview, we threw this life summary question to him, and he quickly put away his smile, thought for a few seconds, and said, "I hope the audience can still remember me, and I hope the audience still has the impression of’Wu Mengda ‘."

 

As soon as he finished speaking, he was nonsensical again, "Huh? 50 years later, 100 years later, I will still be here, ask again when the time comes!"